<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>Most weekends for the past 20 years or more I have been adding 
to my ridiculous collection of records by visiting car boot sales, 
charity shops etc, in the hope of finding something even stranger 
than I did the weekend before. Sometimes I will use a sample
from it on the show or I might even ruthlessly sell it on eBay 
{especially if I am strapped for cash that week} 
but I will most likely listen to it and then squirrel it away into my collection. 

I also collect some records just for their sleeves alone - sorry if that 
is a bit sad but you have obviously not seen some of them yet! 
So I thought it might be fun to post up here some of the things I pick 
up on my searches. You may have come across some of them if you 
frequent “the boots” or may even own the record yourself, either way 
I hope you’ll find something of interest and amusement and hey, 
it’ll save you going down on your knees and getting your hands dirty.
mail me : shanequentin@yahoo.co.uk</description><title>Car Booty</title><generator>Tumblr (3.0; @tgoed)</generator><link>http://tgoed.tumblr.com/</link><item><title>Spring - early Summer</title><description>&lt;p&gt;&lt;br/&gt;&lt;br/&gt;May has finally arrived and the new booting season is &lt;span&gt;finally &lt;br/&gt;spluttering &lt;/span&gt;&lt;span&gt;into life.T&lt;/span&gt;&lt;span&gt;here will no doubt be the odd occasional &lt;br/&gt;scattered shower with &lt;/span&gt;&lt;span&gt;light winds but it&amp;#8217;s pretty much boots on.&lt;br/&gt;Over the past few months I have picked up some nice 7&amp;#8221; singles&lt;br/&gt;as well as some unusual flexi-discs I had not come across before. &lt;br/&gt;&lt;/span&gt;&lt;span&gt;I am looking forward to a healthier booting &lt;/span&gt;&lt;span&gt;season this year than &lt;br/&gt;the washout of 2012 so fingers x the fields &lt;/span&gt;&lt;span&gt;produce good yields!&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" src="http://media.tumblr.com/097f29c6b3fa17121a7d46cd773020b5/tumblr_inline_mmjbq2HiVv1qz4rgp.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;YOUNG FOLK&amp;#160;:&lt;/strong&gt;&lt;em&gt;&lt;strong&gt; A Festival Of Folk Song&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;/em&gt;This EP by various artists claims on the rear of the sleeve to be&lt;br/&gt;&lt;em&gt;&amp;#8220;recorded by young people with an average age of 17&amp;#8230; nothing&lt;/em&gt;&lt;br/&gt;&lt;em&gt;too remarkable in that until you hear them!&amp;#8221; &lt;/em&gt;Well I have listened to&lt;br/&gt;Barbara Bunning, Venturing Folk and Sally &amp;amp; Jane and can confirm&lt;br/&gt; it does indeed have some remarkable songs, most especially the &lt;br/&gt;version of &lt;em&gt;All My Trials&lt;/em&gt; sung by Sally &amp;amp; Jane. This has been covered&lt;br/&gt;by folk such as Paul McCartney, Nick Drake and Cerys Matthews and&lt;br/&gt;the girls have done a lovely version you can hear for yourself &lt;a href="denied:ttp://www.mediafire.com/view/?4mvvdh8fi7bqe9b" title="here" target="_blank"&gt;here&lt;/a&gt;.&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;Abbey Folk&amp;#160;: 1960&amp;#8217;s&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" src="http://media.tumblr.com/a8e2581be0909ff39a417b25091ca4d5/tumblr_inline_mmjbwdKlWu1qz4rgp.jpg"/&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt="image" src="http://media.tumblr.com/f830597a76ae5b864ce552d156ed2fd2/tumblr_inline_mmjbxcu0Nz1qz4rgp.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;VARIOUS ARTISTS&amp;#160;: &lt;em&gt;1970 Hits&lt;br/&gt;&lt;br/&gt;&lt;/em&gt;&lt;/strong&gt;These 2 compilation EP singles on Avenue Records were part of &lt;br/&gt;a set of 5 for cover version fans to collect, not just for the songs &lt;br/&gt;but to win an actual holiday! The ones I found here feature the letters &lt;br/&gt;T and E in their intros, but as far as worthwhile songs to listen and&lt;br/&gt;enjoy go then unfortunately they fall some way short which may be &lt;br/&gt;why a Spanish holiday was the only lure to get folks to waste their &lt;br/&gt;7 shillings on them back then. &lt;a href="http://www.mediafire.com/?ri866rneht2wmwk" title="Listen" target="_blank"&gt;Listen&lt;/a&gt;&lt;span&gt; to the letter E intro / Black Night&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Avenue Records&amp;#160;: 1970&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" src="http://media.tumblr.com/1adf2e6a4cc6e2000d1a7c0856da6ee1/tumblr_inline_mmjbz6JvJs1qz4rgp.jpg"/&gt;&lt;/p&gt;

&lt;p&gt;The titles on this one below make for a pretty grim read!&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" src="http://media.tumblr.com/f942f5890f145b55e893ac7ca1a78965/tumblr_inline_mmjbzpIr201qz4rgp.jpg"/&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt="image" src="http://media.tumblr.com/d2dde6a29639b24aa1a205fe40775a42/tumblr_inline_mmjc0s5e4i1qz4rgp.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;ABC CINEMAS&amp;#160;: &lt;em&gt;Happy Birthday / ABC Minors Song&lt;br/&gt;&lt;br/&gt;&lt;/em&gt;&lt;/strong&gt;This was one of my nicest finds of recent times, a 7&amp;#8221; single in&lt;br/&gt;very good condition despite the fact it must have been played &lt;br/&gt;dozens of times every Saturday morning in some probably long &lt;br/&gt;demolished cinema. I now take my own kid to the morning matinee&lt;br/&gt;at the local multiplex (usually when it&amp;#8217;s raining as there are of course&lt;br/&gt;car boots on a Saturday morning) However this tune was never played &lt;br/&gt;to me when I were a lad, we were expected to stand up to the national &lt;br/&gt;anthem at the Electra Cinema in Newport Pagnell, or else! &lt;br/&gt;&lt;a href="http://www.youtube.com/watch?v=rzWjw7AO_Xo" title="ABC Minors Song" target="_blank"&gt;&lt;em&gt;ABC Minors Song&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;RPL Records&amp;#160;: 1968&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" src="http://media.tumblr.com/7460086acae05221900d2ea586957ef5/tumblr_inline_mmjc1fE1LM1qz4rgp.jpg"/&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;

&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt="image" src="http://media.tumblr.com/9a8b2c9ee1d6e7ac4f6ad63c49b588fb/tumblr_inline_mmjc2dnzW31qz4rgp.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;STONED AID / THE CANNIBALS&amp;#160;: &lt;em&gt;Are You Going To Stonehenge?&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Featuring ex members of The Inmates and The Count Bishops,&lt;br/&gt;this charity record was released to try and make some bread for &lt;br/&gt;the Stonehenge Festival Benefit Fund. It seems unlikely Stoned Aid &lt;br/&gt;raised as much as even a teenth of Band Aid but they tried their &lt;span&gt;best, &lt;br/&gt;bless &amp;#8216;em. I even went to one of the last Stonehenge Festivals and&lt;/span&gt;&lt;br/&gt;&lt;span&gt;remember &lt;/span&gt;&lt;span&gt;it being about as much fun as listening to this awful single. &lt;br/&gt;This copy &lt;/span&gt;&lt;span&gt;was rescued from the skip after my radio station defaced it&lt;br/&gt;and then chucked it out, and &lt;/span&gt;&lt;span&gt;I can understand why, &lt;a href="http://www.mediafire.com/view/?7vn9rkx6gkgso57" title="download" target="_blank"&gt;download&lt;/a&gt; it here.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;(S)HIT Records&amp;#160;: 1989&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" src="http://media.tumblr.com/841a7b78e6b73cd998450c89b66480ec/tumblr_inline_mmjc3w9Ryw1qz4rgp.jpg"/&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" src="http://media.tumblr.com/55e9a0e8a5cb4a8b5ffae394f41b7f9c/tumblr_inline_mmjc4xcVN81qz4rgp.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;JOHNNY PEARSON&amp;#160;: &lt;em&gt;Spy Trap - Theme from Quator / Playgirl&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;This is a fairly funky theme from a TV show I have no memory of&lt;br/&gt;as it was slightly before my time. But the B side titled &lt;em&gt;Playgirl&lt;/em&gt; is a &lt;br/&gt;much better tune from a show of which I could find very little info&lt;br/&gt;online - I did try. Pearson was in charge of the &lt;em&gt;Top Of The Pops&lt;/em&gt;&lt;br/&gt;Orchestra from 1965 to 1981 and is perhaps best known for his &lt;br/&gt;top 10 single &lt;a href="http://www.youtube.com/watch?v=LxXUt5YckSI" title="Sleepy Shores" target="_blank"&gt;&lt;em&gt;Sleepy Shores&lt;/em&gt;&lt;/a&gt; - you can download &lt;em&gt;Playgirl&lt;/em&gt; &lt;a href="http://www.mediafire.com/view/?x076ldkwcv2sl9n" title="here" target="_blank"&gt;here&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;BBC Records&amp;#160;: 1971&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;

&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt="image" src="http://media.tumblr.com/cb0400eb6a816cc0a2e659f107437d41/tumblr_inline_mmjc5lxiSo1qz4rgp.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;SPIKE MILLIGAN&amp;#160;: &lt;em&gt;Girl On A Pony&lt;br/&gt;&lt;br/&gt;&lt;/em&gt;&lt;/strong&gt;Despite being one of the greatest and most surreal of all comedians,&lt;br/&gt;Spike must have thought he might copy Richard Harris&amp;#8217; success with &lt;br/&gt;&lt;em&gt;&lt;a href="http://www.youtube.com/watch?v=0WHx0B90FUc" title="MacArthur Park" target="_blank"&gt;MacArthur Park&lt;/a&gt;&lt;/em&gt; by releasing this pretty straightforward tune as a single. &lt;br/&gt;Despite being produced by George Martin it never bothered the charts,&lt;br/&gt;and when you consider it&amp;#8217;s actually Spike Milligan singing here it isn&amp;#8217;t all that suprising as we know how off the wall he could be.&lt;br/&gt;&lt;a href="http://www.mediafire.com/view/?396vq8ixiod0qh0" title="download" target="_blank"&gt;download&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Warner Bros Records&amp;#160;: 1972&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt="image" src="http://media.tumblr.com/c0d1eec353af3044152354e81e73538b/tumblr_inline_mmjc7npFQx1qz4rgp.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;DAVID CALLISTER&amp;#160;: &lt;em&gt;The Laxey Wheel / T.T. Hall Of Fame&lt;br/&gt;&lt;br/&gt;&lt;/em&gt;&lt;/strong&gt;I have quite a few records on the T.T. Races from the Isle Of Man&lt;br/&gt;which are mainly full albums, but this is a folk song single recorded &lt;br/&gt;in tribute to it&amp;#8217;s annual motorcycle race and it comes in this sweet &lt;br/&gt;homemade sleeve. The B side is a song about the other popular &lt;br/&gt;attraction on the island and what is the world&amp;#8217;s largest waterwheel &lt;br/&gt;called &lt;span&gt;The Laxey Wheel, you can listen to Davids song &lt;a href="http://www.youtube.com/watch?v=zzsofFzaFns" title="here" target="_blank"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hilary Records&amp;#160;: 1971&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" src="http://media.tumblr.com/e4fa49e7ebfc339c7b1e32556c11f180/tumblr_inline_mml3hf23kP1qz4rgp.jpg"/&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;</description><link>http://tgoed.tumblr.com/post/50492628779</link><guid>http://tgoed.tumblr.com/post/50492628779</guid><pubDate>Wed, 15 May 2013 08:37:00 -0400</pubDate></item><item><title>Autumn</title><description>&lt;p&gt;The booting season is pretty much closing down for the winter now, &lt;br/&gt;but there are still the few odd boots popping up in various town halls &lt;br/&gt;and community centres so I am still managing to find various bits &amp;amp; bobs. &lt;br/&gt;I came across a stash of football vinyl recently at a village car boot &lt;br/&gt;held in a church car park, so I have posted up some of those this time &lt;br/&gt;though they do lean quite heavily on a certain 125 year old Scottish club.&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120875.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;GREEN &amp;amp; WHITE BRIGADE&amp;#160;: &lt;em&gt;The Holy Ground of Glasgow Celtic&lt;/em&gt;&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Kicking off with the sound of the crowd The Green &amp;amp; White Brigade &lt;br/&gt;regale us with songs that would have no doubt brought a tear to the &lt;br/&gt;Celtic captain Billy McNeil&amp;#8217;s eye, and judging by the state of the rear &lt;br/&gt;of the sleeve for this album with &lt;em&gt;MOM&amp;#8217;S&lt;/em&gt;  inscribed on it, the tears of &lt;br/&gt;someone else have been dropping onto it a lot too, bless.&lt;strong&gt;&lt;br/&gt;Red label Hallmark Records&amp;#160;: 1968&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120876.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120866.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;THE CELTIC BOYS CLUB&amp;#160;:&lt;/strong&gt; &lt;em&gt;&lt;strong&gt;Glasgow Celtic - Double Champions&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Once again, this album starts off with the sound of the crowd but within &lt;br/&gt;20 seconds the sing-a-long starts and then someone pulls out an accordion.&lt;br/&gt;Before you know it, everybody sounds completely drunk and a bloke looks &lt;br/&gt;funny at someone&amp;#8217;s bird and a pint gets spilled and it all degenerates into chaos &lt;br/&gt;like an early JAMC gig, well perhaps not, if Jock Stein has anything to do with it!&lt;br/&gt;&lt;strong&gt;Blue label Hallmark Records&amp;#160;: 1967&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120868.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="400" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120867.jpg" width="400"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="606" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120870.jpg" width="600"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;THE WULLIE MALLOY EXPERIENCE&amp;#160;: &lt;em&gt;The Celtic Centenary E.P.&lt;/em&gt;&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This is a 5 track 12&amp;#8221; single which was issued to celebrate Celtic&amp;#8217;s 100th &lt;br/&gt;year in 1988. It is the same set up as the two previous records, with a rowdy &lt;br/&gt;choir of men (there was never actually going to be any women singing on these &lt;br/&gt;records now was there?!) singing pretty much the same songs from the other &lt;br/&gt;albums. However the production is better than the earlier ones and there is a &lt;br/&gt;warm glow of passion coming from the voices of these undoubtedly completely &lt;br/&gt;sober gentlemen.&lt;br/&gt;&lt;strong&gt;Wullie Malloy Records&amp;#160;: 1988&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120871.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120864.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;ABERDEEN FOOTBALL SQUAD&amp;#160;: &lt;em&gt;European Song&lt;/em&gt;&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Managed by what was to be their most successful manager Sir Alex Ferguson,&lt;br/&gt;the dulcet tones of the Aberdeen squad which included other future managers Gordon Strachan and Alex McLeish sang their way through this &lt;strike&gt;plodding dirge&lt;/strike&gt;&lt;br/&gt;err uplifting anthem, to their European Cup success of 1983. It never bothered&lt;br/&gt;the charts north or south of the border and rumour has it the B-side didn’t&lt;br/&gt;even feature any of the squad at all!&lt;br/&gt;&lt;strong&gt;AFC Records&amp;#160;: 1983&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120865.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120862.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;The Denis Law Testimonial Programme&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;I found this inside the sleeve of one of the Celtic albums which would have&lt;br/&gt;been more exciting (to me) if it was actually Liverpool related as I have no &lt;br/&gt;affection for Manchester &lt;em&gt;spit!&lt;/em&gt; United, at all. Still, it is a nice item which will&lt;br/&gt;no doubt find it&amp;#8217;s way to eBay at some point and I would have been tempted &lt;br/&gt;to keep it if the Ajax squad had featured Johan Cruyff, but for some reason he&lt;br/&gt;didn&amp;#8217;t want to play that night, no don&amp;#8217;t email me telling me he was injured OK.&lt;br/&gt;&lt;strong&gt;3/10/73&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120863.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120872.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;F.A. SOUVENIR&amp;#160;: &lt;em&gt;Memorable Cup Finals&lt;/em&gt;&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;This has some of the oldest recordings of football matches that I have&lt;br/&gt; on vinyl featuring commentary from 1953 onwards. It has a great mix of &lt;br/&gt;songs which includes The Nolans and Cockerel Chorus as well as familiar &lt;br/&gt;football chants by West Ham and Man City, all mixed with the sound of&lt;span class="st"&gt; &lt;br/&gt;Mr. Cholmondley- Warner &lt;/span&gt;describing Stanley Matthews racing up the wing &lt;br/&gt;this is indeed a winning album. It also comes with a useful inner sleeve listing &lt;br/&gt;all the teams and scores of every single F.A. Cup match since 1872 - &lt;em&gt;result!&lt;/em&gt;&lt;br/&gt;&lt;strong&gt;CBS Special Products Records&amp;#160;: 1981&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="593" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120873.jpg" width="600"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120877.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;THE NORTH BANK&amp;#160;: &lt;em&gt;Arsenal We&amp;#8217;re On Your Side&lt;/em&gt;&lt;br/&gt;&lt;/strong&gt;&lt;br/&gt;OK so it isn&amp;#8217;t as catchy as Chelsea&amp;#8217;s &lt;em&gt;&lt;a href="http://youtu.be/TE-6u3R0bKw" target="_blank"&gt;Blue Is The Colour&lt;/a&gt;&lt;/em&gt; or Tottenham&amp;#8217;s&lt;br/&gt;&lt;em&gt;&lt;a href="http://youtu.be/bWRJ7ZZbRUg" target="_blank"&gt;Nice One Cyril&lt;/a&gt;&lt;/em&gt; but Arsenal give it their best shot on this scarce single &lt;br/&gt;from 1972 - I say scarce coz no-one actually bought a copy at the time!&lt;strong&gt;&lt;br/&gt;&lt;/strong&gt;The follow up single released 7 years later&lt;em&gt; Arsenal We&amp;#8217;re Right Behind You&lt;/em&gt; &lt;br/&gt;fared even worse despite being a 12&amp;#8221; in a picture sleeve and on red vinyl.&lt;br/&gt;&lt;strong&gt;Polydor&amp;#160;: 1972&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120878.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120882.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;LIVERPOOL FOOTBALL TEAM&amp;#160;: &lt;em&gt;Sing Along With Liverpool&lt;/em&gt;&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This is probably the Liverpool squad which holds the most affection &lt;br/&gt;in my heart, as they were the first one I saw when I was 10 years old&lt;br/&gt;and they were playing against QPR at Loftus Road in 1972. I was with &lt;br/&gt;my grandad and despite the Q&lt;em&gt;ueens &lt;/em&gt;Park Rangers fans loud cries of &lt;em&gt;&lt;br/&gt;&amp;#8220;Keegan is a wanker&lt;/em&gt;&amp;#8221; and my inevitable enquiry of&lt;em&gt; &amp;#8220;Grandad&amp;#8230; &lt;br/&gt;what&amp;#8217;s a wanker?&amp;#8221;&lt;/em&gt; I have followed them faithfully ever since. &lt;br/&gt;I may have had second thoughts however had I been exposed to their &lt;br/&gt;versions of&lt;em&gt; Yellow Submarine&lt;/em&gt; and &lt;em&gt;Lily The Pink&lt;/em&gt; at such an tender age.&lt;br/&gt;&lt;strong&gt;Penny Farthing Records&amp;#160;: 1972&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="240" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120883.jpg" width="240"/&gt;   &lt;img alt="image" height="240" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120884.jpg" width="240"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120879.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;LIVERPOOL THE LEGEND OF EUROPE&amp;#160;:&lt;em&gt; 1978 European Cup Final&lt;/em&gt;&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;There are no renditions of old pop songs on this album, just 100% honest&lt;br/&gt;to goodness commentary and factual history describing Liverpool&amp;#8217;s success&lt;br/&gt;in European competition. My goodness, it all seems so long, long ago now&lt;br/&gt;with their current mid-table struggles and trophy cabinet full of dusty memories,&lt;br/&gt;it&amp;#8217;s records like this that make me feel sadder than listening to WW1 poetry.&lt;br/&gt;&lt;strong&gt;Quality Recordings&amp;#160;: 1978&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120880.jpg"/&gt;&lt;/p&gt;</description><link>http://tgoed.tumblr.com/post/35634964586</link><guid>http://tgoed.tumblr.com/post/35634964586</guid><pubDate>Tue, 13 Nov 2012 09:08:00 -0500</pubDate></item><item><title>Summer</title><description>&lt;p&gt;I am actually a bit bored with moaning about the weather here now but &lt;br/&gt;at least the paper today claims that it has been &lt;em&gt;&amp;#8220;the wettest on record&amp;#8221;&lt;/em&gt;&lt;br/&gt;and that I can totally agree with, literally! Still, I have managed to find&lt;br/&gt;some nice vinyl delights on my rare trips to the sodden fields which I think&lt;br/&gt;you&amp;#8217;ll find of interest including more Century 21 singles - I see none for years&lt;br/&gt;then half a dozen turn up in just a few weeks, tsk typical.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120221.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;CENTURY 21&amp;#160;:&lt;/strong&gt; &lt;strong&gt;Trip To Marineville/Journey To The Moon&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;You might imagine that these two mini-albums are as edge of your &lt;br/&gt;seat exciting as you could possibly imagine in your wildest dreams. &lt;br/&gt;The &lt;em&gt;Journey To The Moo&lt;/em&gt;n starts with the touching story of a dreaming &lt;br/&gt;boy floating up to the stars where he meets Steve Zodiac, Venus and &lt;br/&gt;the rest of the cast of Fireball XL5. However, after about 40 seconds in&lt;br/&gt;I think I lost the will to live as the plot became so confusing and ridiculous &lt;br/&gt;that I gave up on it, scanned it and listed it on eBay as it no longer holds&lt;br/&gt;the power or excitement that it may have done had I heard it when I was 7.&lt;br/&gt;&lt;strong&gt;Century 21 Records ~ 1965&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120220.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120234.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;The S.O.D.S. Ladies Band&amp;#160;: Thanks So Much&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Well, I have come across some strange records in my time, yadda yadda,&lt;br/&gt;and this one isn&amp;#8217;t so much weird as just simply why, in gods name why?!&lt;br/&gt;Issued by the &lt;em&gt;Confederation of Women Songwriters&lt;/em&gt; sometime in the&lt;br/&gt;mid 70&amp;#8217;s I would hazard a guess, this single in it&amp;#8217;s die-cut sleeve may &lt;br/&gt;have not got further much than being shared amongst the husbands &lt;br/&gt;(or partners?) of the ladies who actually sang on it, as this is a one sided acetate. &lt;br/&gt;It has a kitsch factor and I assume the label is &lt;em&gt;Cows&lt;/em&gt; - very odd and &lt;em&gt;very&lt;/em&gt; crap.&lt;br/&gt;&lt;strong&gt;Cows Records&lt;/strong&gt; &lt;strong&gt;~ 1970&amp;#8217;s&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120235.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120219.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;THE LLIDYTH TRIO&amp;#160;: Surely Goodness/Life Is A Symphony EP&amp;#8217;s&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;In attempting to do some weak research on this holy trio of lovely&lt;br/&gt;lasses I discovered that despite their Welsh name they are in fact&lt;br/&gt;Scottish even though their records were actually made in England&lt;em&gt;&lt;strong&gt; POW!&lt;/strong&gt;&lt;/em&gt;&lt;br/&gt;They once sang on the same bill as Sir Cliff Richard in Birmingham &lt;em&gt;&lt;strong&gt;ZAP!&lt;/strong&gt;&lt;/em&gt;&lt;br/&gt;On both singles they were accompanied by two gentlemen &lt;em&gt;&lt;strong&gt;WHAM!&lt;/strong&gt;&lt;/em&gt;&lt;br/&gt;Erm and thats enough Llidyth Trio facts then, did I mention they&amp;#8217;re religious?&lt;br/&gt;&lt;strong&gt;PILGRIM RECORDS&amp;#160;: 1968&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120218.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120231.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;DENIS NORDEN&amp;#160;: Meet The New Liberator Fully Automatic&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;The full title of the A side is the catchy &lt;em&gt;&amp;#8216;The Pounds Shilling And Sense &lt;br/&gt;Of The Liberator Automatic Washing Machine&lt;/em&gt;&amp;#8217; whilst the B side has TV host&lt;br/&gt;Denis Norden (who is 90 years old) explaining How and most importantly &lt;em&gt;&lt;br/&gt;&lt;/em&gt;Why, he became a washing expert. Judging by the picture of Denis on the &lt;br/&gt;front sleeve it looks like he hasn&amp;#8217;t changed much in 50 years, bless him.&lt;br/&gt;&lt;strong&gt;AUDIO PLASTICS RECORDS ~ 1960&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="245" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120233.jpg" width="245"/&gt;  &lt;img alt="image" height="245" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120232.jpg" width="245"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120225.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;STANLEY UNWIN&amp;#160;: Rotatey Diskers With Unwin&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I have had the Marble Arch issue of this album for years and was so&lt;br/&gt;pleased to come across this lovely first pressing which has the same &lt;br/&gt;tracks but has this completely different sleeve. &lt;a href="http://en.wikipedia.org/wiki/Stanley_Unwin_%28comedian%29" target="_blank"&gt;Sir Stanley&lt;/a&gt; was a local&lt;br/&gt;resident for many years and how sweet to see from the price ticket that &lt;br/&gt;this album was originally bought in Northamptons&amp;#8217; premier record store &lt;br/&gt;before I was even born, yes it is &lt;em&gt;that&lt;/em&gt; old!&lt;br/&gt;&lt;strong&gt;Pye Records ~ 1961&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="250" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120226.jpg" width="250"/&gt;  &lt;img alt="image" height="250" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120227.jpg" width="200"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120222.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;MARIN MARAIS&amp;#160;: Tableau Of a Lithotomy&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Released on behalf of pharmaceutical company Norgine to push their &lt;br/&gt;unglamorous purgative products, this bizarre single can make an honest&lt;br/&gt;claim to feature some of the oldest music ever recorded. To quote the sleeve, &lt;em&gt;&lt;br/&gt;&amp;#8220;Some 250 years ago a French composer, Marin Marais, wrote - to the &lt;br/&gt;best of our knowledge - the only musical description of a surgical operation, &lt;br/&gt;he called it Tableau of a Lithotomy&lt;/em&gt;&lt;em&gt;. Taken from an old edition of the Library &lt;br/&gt;of the Conservatory of Music in Paris,&lt;/em&gt;&lt;em&gt; it is the first modern performance and &lt;br/&gt;the first recording.&amp;#8221;&lt;/em&gt; Listen for yourself&amp;#160;: &lt;a href="http://www.mediafire.com/?e25f9mbrjgb381v" target="_blank"&gt;side 1&lt;/a&gt;&amp;#160;: &lt;a href="http://www.mediafire.com/?argeuq5cg7u7lo1" target="_blank"&gt;side 2&lt;/a&gt;&lt;br/&gt;&lt;strong&gt;Norgine Records ~ 1960&amp;#8217;s&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120224.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="280" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120223.jpg" width="550"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120228.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TONY JACKLIN&amp;#160;: Swings &lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;At the height of his fame the great golfer was the most successful British &lt;br/&gt;player of his generation and maybe because he had just won the US Open &lt;br/&gt;Championship he was let loose in a recording studio. Not as bad as that idea&lt;br/&gt;might seem at first, but imagine David Beckham making a covers album and &lt;br/&gt;you begin to understand why sportsmen should never be allowed to let us &lt;br/&gt;laugh at their attempts at crooning, it&amp;#8217;s just plain wrong, pretty funny though.&lt;br/&gt;&lt;strong&gt;CBS Records ~ 1971&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120229.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;PATRICK CARGILL&amp;#160;: Sings Father, Dear Father&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I would probably have left this in the 50p box where I saw it &lt;br/&gt;unloved and no doubt skipped over so many times. But I picked it up, &lt;br/&gt;flipped it over and noticed the first track title on side 2 and I knew it &lt;br/&gt;had to be mine! I was of course hoping that the &lt;em&gt;Old H.G.&lt;/em&gt; that Patrick &lt;br/&gt;was referring to might be my pseudonym Head Gardener, but unfortunately &lt;br/&gt;it just turns out to be his dog called H.G. Alas, this album will therefore be &lt;br/&gt;consigned to the nearest charity shop as I have to be ruthless in culling vinyl &lt;br/&gt;that contravenes the Trades Description Act of 1968.&lt;strong&gt;&lt;br/&gt;RCA Victor ~ 1969&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="250" src="http://i144.photobucket.com/albums/r165/shanequentin/P1120230.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;</description><link>http://tgoed.tumblr.com/post/31051444301</link><guid>http://tgoed.tumblr.com/post/31051444301</guid><pubDate>Fri, 07 Sep 2012 06:58:00 -0400</pubDate></item><item><title>early Summer</title><description>&lt;p&gt;So much for the rain staying away for the last 2 months,&lt;br/&gt;this has of course meant that for me most weekends have &lt;br/&gt;been totally useless and bootless! A nightmare for the shady &lt;br/&gt;black marketeers and a pain in the neck for bloggers like me &lt;br/&gt;who only want to crouch down without getting wet brown &lt;br/&gt;patches on their knees. However, there has been the odd one &lt;br/&gt;or two finds in the fields and I have optimism that once the sun &lt;br/&gt;does come out (probably sometime in September) then I will once &lt;br/&gt;again be able to post up all kindsa goodies, so until then&amp;#8230;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/CCI09072012_00000.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;ORSON WELLES&amp;#160;: I Know What It Is To Be Young &lt;/strong&gt;&lt;strong&gt;&lt;br/&gt;(But You Don&amp;#8217;t Know What It Is To Be Old)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Looking &lt;em&gt;oh&lt;/em&gt; &lt;em&gt;so&lt;/em&gt; serious, Orson Welles recorded this one off single in his &lt;br/&gt;penultimate year. It featured the Ray Charles Singers on backing vocals&lt;br/&gt;and was produced by Jerry Abbot who was the father of legendary dead &lt;br/&gt;guitarist Dimebag Darrell of metal rockers Pantera. This 7&amp;#8221; was unlikely to &lt;br/&gt;be as big in the charts as Orson&amp;#8217;s waist was around this time but its still &lt;br/&gt;a moving and thoughtful tune ~ &lt;a href="http://www.youtube.com/watch?v=heGNNUpzO38" target="_blank"&gt;Youtube&lt;/a&gt;&lt;br/&gt;&lt;strong&gt;Splash Records ~ 1984&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/CCI02072012_00011.jpg" width="500"/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;F.F.&amp;amp;.Z&lt;/strong&gt; &lt;strong&gt;: Everybody Get Out Of Bed / Spaced On Happy&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;A right old weird one this 7&amp;#8221; , the F &amp;amp; F were husband and wife Paula and &lt;br/&gt;Gary Fishbaugh and the Z was Pete Zorn. Pete was long standing member&lt;br/&gt;of Richard Thompson&amp;#8217;s touring band but is probably better known in England &lt;br/&gt;as half of Driver 67 who had a one hit wonder with &lt;a href="http://www.youtube.com/watch?v=5jXFzJEviWU" target="_blank"&gt;Car 67&lt;/a&gt; in 1978. This single&lt;br/&gt;was also a one off and never really stood a chance of reaching the top 10 but &lt;br/&gt;the B side &lt;em&gt;Spaced On Happy&lt;/em&gt; is pretty catchy bit of CSN&amp;amp;Y hippy fluff.&lt;br/&gt;&lt;strong&gt;CBS Records ~ 1972&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/CCI02072012_00009.jpg" width="500"/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;JOHNNY G&amp;#160;: The Hippys Graveyard&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I actually bought this single when it first came out but like the rest of &lt;br/&gt;my entire vinyl collection was sold off with all my other worldly goods &lt;br/&gt;in the mid 80&amp;#8217;s to fund a trip round Asia. So you can imagine I was so &lt;br/&gt;pleased to find another copy of this recently. I recall he even released &lt;br/&gt;a double album around this time as well but I always considered this tune &lt;br/&gt;to be his finest 3 minutes&amp;#160;: &lt;a href="http://www.youtube.com/watch?v=xpRGUf7UhiE" target="_blank"&gt;Youtube&lt;/a&gt;&lt;br/&gt;&lt;strong&gt;Beggars Banquet&amp;#160;: 1978&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/CCI02072012_00013.jpg" width="500"/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;VANESSA KIM&amp;#160;: Holiday In Germany&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;A swift Google check on Ms. Kim reveals only one who could still&lt;br/&gt;be involved in the holiday business all these years later but not one &lt;br/&gt;who is still singing like the lady who does on this disc.&lt;em&gt; Holiday In Germany&lt;/em&gt; &lt;br/&gt;was released in Germany on the Holiday label but is actually sung in English,&lt;br/&gt;with a snappy B side titled&lt;em&gt; For You and Me and The Family&lt;/em&gt;. My guess is that &lt;br/&gt;this disc was aimed squarely at us English tourists, but would no doubt have &lt;br/&gt;put off plenty of family members from ever considering going to Germany&lt;br/&gt; if they were to be subjected to this.&lt;br/&gt;&lt;strong&gt;Holiday Sound ~ 1970&amp;#8217;s&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/CCI02072012_00000.jpg" width="500"/&gt;&lt;br/&gt;&lt;strong&gt;&lt;br/&gt;MICROBE&amp;#160;: Groovy Baby&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;I had never come across this record before in all my years of collecting so &lt;br/&gt;when I saw that band name, the title and the release date, it all led me up &lt;br/&gt;the path to think this might even be some long-lost psychedelic classic.&lt;strong&gt;&lt;br/&gt;&lt;/strong&gt;I was wrong, so &lt;em&gt;very&lt;/em&gt; wrong. OK it has a certain charm but it turns out to &lt;br/&gt;be an odd novelty song featuring a 3 year old boy which actually cracked &lt;br/&gt;the UK Top 30 but I was way too young myself to remember anything about &lt;br/&gt;it in 1969. There is of course a &lt;a href="http://www.youtube.com/watch?v=cSL9HMDWmBo" target="_blank"&gt;Youtube&lt;/a&gt; where you can hear it for yourself.&lt;strong&gt;&lt;br/&gt;CBS Records ~ 1969&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/CCI02072012_00014.jpg" width="500"/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;PIANO MATE&amp;#160;: Dub Req&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;Released in a quite lavish packaging featuring a gatefold sleeve and &lt;br/&gt;a smart die-cut inner sleeve, this one sided disc was used by music &lt;br/&gt;shop dealers to promote the &lt;em&gt;Piano Mate&lt;/em&gt;. This was a device that was &lt;br/&gt;plugged into an amp like box sitting under the piano which you then &lt;br/&gt;placed onto your keyboard and it turned your boring old piano into an &lt;br/&gt;snazzy electronic keyboard. The narration on the disc informs you that &lt;br/&gt;you don&amp;#8217;t even need a piano to use &lt;em&gt;Piano Mate&lt;/em&gt; just a plain keyboard &lt;br/&gt;will suffice, &lt;em&gt;&amp;#8220;to create a completely&lt;/em&gt;&lt;em&gt; new dimension in sound&amp;#8221;&lt;/em&gt;. Hear &lt;a href="http://www.preservationsound.com/wp-content/uploads/2010/09/PianoMate_sound3.mp3" target="_blank"&gt;HERE&lt;/a&gt;&lt;strong&gt;&lt;br/&gt;Lyntone&amp;#160;: 1970&amp;#8217;s&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/CCI02072012_00015.jpg" width="500"/&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1100843-1.jpg" width="500"/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;VARIOUS COMEDIANS/STRIPPERS&amp;#160;: &lt;br/&gt;The Wheel Tappers &amp;amp; Shunters Social Club&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;I am old enough to remember when this was on the TV in the 70&amp;#8217;s but&lt;br/&gt;I also remember feeling slightly uneasy whenever it came on. My parents&lt;br/&gt;dragged me along to Saturday nights at our local Working Men&amp;#8217;s Club around &lt;br/&gt;this time too and that horrid mix of smoke, beer, leery old men and the general &lt;br/&gt;air of the place was just the same as the scenes I saw on this show on the telly.&lt;br/&gt;To be able to relive those childhood memories via this long playing album might&lt;br/&gt;seem like a nice idea in theory but in reality actually makes me feel a bit ill, in fact on repeat listenings one might even catch lung cancer. You could try getting into that Northern Working Class vibe yourself&amp;#160;: &lt;a href="http://www.youtube.com/watch?v=V3JvawZmQVg&amp;amp;feature=fvwrel" target="_blank"&gt;Youtube&lt;/a&gt;&lt;strong&gt;&lt;br/&gt;Granada TV Records ~ 1976&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;  &lt;img alt="image" height="250" src="http://i144.photobucket.com/albums/r165/shanequentin/P1100844-1.jpg" width="250"/&gt;                                       &lt;/strong&gt;&lt;/p&gt;</description><link>http://tgoed.tumblr.com/post/26485147931</link><guid>http://tgoed.tumblr.com/post/26485147931</guid><pubDate>Wed, 04 Jul 2012 06:40:00 -0400</pubDate></item><item><title>Spring</title><description>&lt;p&gt;The new car boot season has started - at last! it feels like months&lt;br/&gt;since I was able to get down on my knees and scrabble about in mucky&lt;br/&gt;boxes under tables in wet fields or litter strewn car parks but now I can&lt;br/&gt;finally do it again&lt;em&gt;, oh joy!&lt;/em&gt; Mind you the Northamptonshire boots are yet &lt;br/&gt;to really kick off, that will hopefully be when it stops bloody raining. &lt;br/&gt;We may be in one of the dryest counties in middle England but it seems the &lt;br/&gt;rain has come down on the last few Friday nights to put the kibosh on early &lt;br/&gt;Saturday morning starts, tsk typical. So fingers x for the coming season and&lt;br/&gt;I don&amp;#8217;t mind if it rains as long as it&amp;#8217;s on a Tuesday around teatime, thanks God.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/CCI02072012_00002.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;CENTURY 21&amp;#160;: Marina Speaks&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This was one of two Century 21 EP&amp;#8217;s I picked up last weekend, the first &lt;br/&gt;of which features Marina, the mysterious beauty from 60&amp;#8217;s TV show&lt;em&gt; &lt;a href="http://www.technodelic.pwp.blueyonder.co.uk/Upload01/Stingray01.htm" target="_blank"&gt;Stingray&lt;/a&gt;&lt;/em&gt;&lt;br/&gt;The big thing about Marina was that she &lt;em&gt;never&lt;/em&gt; spoke, so imagine the&lt;br/&gt;excitement and incredible anticipation to finally be able to hear her speak!&lt;br/&gt;Well, i&amp;#8217;m sorry to disappoint you but she spends most of side one nodding,&lt;br/&gt;I assume she&amp;#8217;s nodding as she doesn&amp;#8217;t open her mouth to say actual words.&lt;br/&gt;However on side 2 she narrates her own story of why she was cursed to &lt;br/&gt;remain dumb struck thanks to the evil Titan, but I could swear her voice &lt;br/&gt;is the same as Atlanta&amp;#8217;s and Lady Penelope&amp;#8217;s and Sylvia Anderson&amp;#8217;s&amp;#8230;&lt;br/&gt;&lt;strong&gt;Century 21 Records ~ 1965&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="201" src="http://www.technodelic.pwp.blueyonder.co.uk/Stingray/TV21n018b.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="211" src="http://25.media.tumblr.com/tumblr_m2yphkAS6m1qzr8nao1_500.gif" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/CCI02072012_00003.jpg" width="500"/&gt;                                                                                                                                &lt;br/&gt;&lt;strong&gt;CENTURY 21&amp;#160;: Lady Penelope&lt;/strong&gt; &lt;strong&gt;&amp;amp; Other TV Themes&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Well talk of the she-devil, here she is on an EP featuring her favourite TV &lt;br/&gt;themes along with some help from her trusty chauffeur &lt;strike&gt;Noel Gallagher&lt;/strike&gt; sorry &lt;br/&gt;I mean Parker, who even gets to sing on one track. I was quite disappointed &lt;br/&gt;in the very poor version of the &lt;a href="http://www.youtube.com/watch?v=ihuQFnuxhkY" target="_blank"&gt;&lt;em&gt;Bewitched&lt;/em&gt;&lt;/a&gt; theme, which is slowed down to a &lt;br/&gt;lounge muzak version and the sleeve itself has a small tear on the front but &lt;br/&gt;otherwise this is a keeper even if there are still another 36 in the set to collect. &lt;br/&gt;&lt;strong&gt;Century 21 Records ~ 1966&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/CCI02072012_00004.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;RADHA KRISHNA TEMPLE&amp;#160;: Govinda&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This single was released in 1970 on The Beatles own Apple label and was the&lt;br/&gt;complete fault of hippy George who produced it and probably hand-clapped&lt;br/&gt;along to it on side 2 too. This was the less sucessful follow up to their Top 20&lt;br/&gt;smash hit &lt;a href="http://youtu.be/LI1xxPB0FGU" target="_blank"&gt;&lt;em&gt;Hare Krishna Mantra&lt;/em&gt;&lt;/a&gt; and I find it kinda scary to think that there was &lt;br/&gt;an entire album of this stuff released too though I have never picked up a copy. Radha Krishna Temple was the home to the &lt;a href="http://en.wikipedia.org/wiki/International_Society_for_Krishna_Consciousness" target="_blank"&gt;Society for Krishna Consciousness&lt;/a&gt; which is still open most days in sunny Watford.&lt;br/&gt;&lt;strong&gt;Apple Records ~ 1971&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" src="http://i144.photobucket.com/albums/r165/shanequentin/CCI02072012_00005.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" src="http://i144.photobucket.com/albums/r165/shanequentin/image_38316_largeimagefile.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1100841-1.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;PHIL TATE &amp;amp; THE WINDJAMMERS&amp;#160;: All The Nice Girls&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This easy listening instrumental album has not only a fine sleeve with&lt;br/&gt;some lovely bikini clad lasses on it it also features a sweet version of &lt;br/&gt;the classic tune &lt;em&gt;Sunny&lt;/em&gt; which makes it worth tracking down for that alone.&lt;br/&gt;All the other tracks on it are named after girls names like &lt;em&gt;Delilah&lt;/em&gt; and &lt;em&gt;&lt;br/&gt;Michelle&lt;/em&gt; and of course who could forget &lt;em&gt;Jeanie With The Light Brown Hair&lt;/em&gt;&lt;br/&gt;I think she must be sitting second from the left.&lt;br/&gt;&lt;strong&gt;Plexium Records ~ 1971&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/P1100846.jpg" width="500"/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;MOLLY MOLLOY&amp;#160;: Rock Dance&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;What a great find this was as I would have bought it for the sleeve alone, &lt;br/&gt;but it has some really sweet funky breaks and beats. It&amp;#8217;s all instrumental &lt;br/&gt;and would have been used as backing music for teaching dance in schools &lt;br/&gt;and although it&amp;#8217;s titled &lt;em&gt;Rock Dance&lt;/em&gt; on the cover it really is anything but, &lt;br/&gt;which I suppose is a blessing as it&amp;#8217;s much better than I hoped it might be. &lt;br/&gt;An instructional booklet is enclosed with exercises for the Intermediate dancer, &lt;br/&gt;this album turned out to be my best find of the last few weeks.&lt;strong&gt; &lt;br/&gt;&lt;/strong&gt;Check the title track&lt;strong&gt; &lt;a href="http://drugismusic.blogspot.co.uk/2012/03/molly-molloy-rock-dance.html" target="_blank"&gt;Rock Dance&lt;/a&gt;&lt;br/&gt;Gamba Educational Records ~ 1970&amp;#8217;s&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;img alt="image" height="844" src="http://i144.photobucket.com/albums/r165/shanequentin/CCI02072012_00006.jpg" width="500"/&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;img alt="image" height="500" src="http://i144.photobucket.com/albums/r165/shanequentin/CCI02072012_00001.jpg" width="500"/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;MYSTERY ACETATE&amp;#160;:&amp;#160;???&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;I was a tiny bit excited by this when I discovered it squashed between &lt;br/&gt;a couple of Suzi Quatro albums although I should have known it wouldn&amp;#8217;t &lt;br/&gt;actually be by her. Quite who it is exactly is still a mystery to me even &lt;br/&gt;after giving it a spin however, it turns out to be fairground organ music! &lt;br/&gt;bummer&amp;#8230; For a few moments before the needle hit the grooves it could &lt;br/&gt;have been some long-lost Psych classic or a Folk oddity, instead it&amp;#8217;s just &lt;br/&gt;rubbish, nice sleeve though.&lt;br/&gt;&lt;strong&gt;City Of London ~ 1960&amp;#8217;s&lt;/strong&gt;&lt;/p&gt;</description><link>http://tgoed.tumblr.com/post/21846651711</link><guid>http://tgoed.tumblr.com/post/21846651711</guid><pubDate>Thu, 26 Apr 2012 09:26:00 -0400</pubDate></item><item><title>Winter 2012</title><description>&lt;p class="MsoNormal"&gt;I am still out and about at the weekends but mostly on Sundays for &lt;br/&gt; now as the Saturday boots are non-existant until it warms up a bit. &lt;br/&gt;I&amp;#8217;ve also been concentrating on picking up just singles too as they are &lt;br/&gt;easier to scan and I am building up a post of albums only, to come soon &lt;br/&gt;&lt;em&gt;whooo hoo!&lt;/em&gt; Until then here are some of my nicest vinyl finds since Christmas&lt;em&gt;.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI04022012_00000.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;MALCOLM STEWART&amp;#160;: Let&amp;#8217;s Play A Game EP&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Well this single ticked a lot of boxes for me when I first found it lying &lt;br/&gt;unloved at the bottom of a box of albums, Folk, &lt;strong&gt;yes!&lt;/strong&gt; EP, &lt;strong&gt;yes!&lt;/strong&gt; 1960&amp;#8217;s, &lt;br/&gt;perhaps.. (it doesn&amp;#8217;t say) cheap, &lt;strong&gt;yes!&lt;/strong&gt; But is it any good? erm no, not &lt;br/&gt;really as it&amp;#8217;s all a bit &lt;em&gt;too&lt;/em&gt; Christian for my liking, I suppose the fact it was &lt;br/&gt;on Grail Records was a bit of a giveaway but at least it was only 25p and &lt;br/&gt;I may get a £1 for it one day, if i&amp;#8217;m lucky.&lt;strong&gt;&lt;br/&gt;Grail Records ~ 1960&amp;#8217;s&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI04022012_00001.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI01022012_00009.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;DICK JAMES&amp;#160;: Sing A Song Of Beatles&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This was one of the many cash-in records released in the Beatles wake, &lt;br/&gt;this one is by the music publisher who founded &lt;strong&gt;Northern Songs&lt;/strong&gt; who &lt;br/&gt;published all those early Beatles hits. Dick James managed to secure the &lt;br/&gt;incredible deal whereby the Fabs royalties were split 50% to him, 20% to John,&lt;br/&gt; 20% to Paul and 10% to manager Brian Epstein. Of course he did very well out &lt;br/&gt;of it, even releasing an album of Beatles songs from which this EP is taken, &lt;br/&gt;and who would &lt;em&gt;ever&lt;/em&gt; try to pull such a cheeky stunt in this day and age?&lt;br/&gt;&lt;strong&gt;Parlophone ~ 1964&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI01022012_00002.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;VARIOUS ARTISTS&amp;#160;: The Sounds Of Bristol&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This is a lovely record and quite long too, as it&amp;#8217;s like a mini-album &lt;br/&gt;playing at 33rpm. The narrator even say&amp;#8217;s &lt;em&gt;&amp;#8220;ooh arr&lt;/em&gt;&amp;#8221; in a dodgy accent&lt;br/&gt;every so often. On side 2 the narration veers close to a &lt;strong&gt;&lt;a href="http://www.bbc.co.uk/comedy/littlebritain/" target="_blank"&gt;Little Britain&lt;/a&gt; &lt;/strong&gt;&lt;br/&gt;sketch as he describes Bristol ladies as &lt;em&gt;&amp;#8216;sloppy&amp;#8217;&lt;/em&gt; and impersonates them &lt;br/&gt;in a &lt;em&gt;&amp;#8220;yes, I am a laydee&amp;#8221;&lt;/em&gt; via&lt;em&gt; &amp;#8220;the only gay in the village&amp;#8221;&lt;/em&gt; stylee, hilarious!&lt;br/&gt;&lt;strong&gt;Saydisc ~ 1973&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI01022012_00006.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI01022012_00007.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;MADY MESPLE &amp;amp; DANIELLE MILLER&amp;#160;: Flower Duet&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;Although this famous tune goes back to 1883 this French opera singer &lt;br/&gt;recorded the version we&amp;#8217;re familiar with in 1971&lt;strong&gt;. &lt;/strong&gt;As well as being used to &lt;br/&gt;advertise British Airways like it is on this release, it was also used to great &lt;br/&gt;effect in David Bowie&amp;#8217;s middling vampire movie &lt;strong&gt;&lt;a href="http://en.wikipedia.org/wiki/The_Hunger_%281983_film%29" target="_blank"&gt;The Hunger&lt;/a&gt;&lt;/strong&gt; in 1983.&lt;br/&gt;I&amp;#8217;m always pleased to find another advertising record I don&amp;#8217;t already have &lt;br/&gt;though, so despite the fact I may never play this copy it does have a quite &lt;br/&gt;nice gatefold sleeve. If you think you may not know this tune then listen to &lt;br/&gt;&lt;strong&gt;&lt;a href="http://youtu.be/8Qx2lMaMsl8" target="_blank"&gt;this&lt;/a&gt;&lt;/strong&gt; and be prepared to go, &lt;em&gt;ooh yeah!&lt;/em&gt;&lt;br/&gt;&lt;strong&gt;EMI ~ 1985&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI01022012_00004.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;SAMANTHA JONES&amp;#160;: Ford Leads The Way/Go Ahead&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;An unusual promotional single from 1967 by Samantha Jones &lt;br/&gt;who was one of the original &lt;strong&gt;&lt;a href="http://en.wikipedia.org/wiki/The_Vernons_Girls" target="_blank"&gt;Vernons Girls&lt;/a&gt;&lt;/strong&gt;, a group of girl singers &lt;br/&gt;formed by the Vernon football pools company in the 1950&amp;#8217;s. &lt;br/&gt;She sings &lt;strong&gt;&lt;em&gt;&lt;a href="http://youtu.be/c7p5mCutB20" target="_blank"&gt;Ford Leads The Way&lt;/a&gt; &lt;/em&gt;&lt;/strong&gt; in praise of the crazy horses but &lt;br/&gt;it&amp;#8217;s the B side &lt;strong&gt;&lt;em&gt;&lt;a href="http://youtu.be/lNtltbuYl9E" target="_blank"&gt;Go Ahead&lt;/a&gt;&lt;/em&gt;&lt;/strong&gt; which the &lt;strong&gt;really&lt;/strong&gt; groovy tune here just a&lt;br/&gt;shame it didn&amp;#8217;t come in the original picture sleeve but a great tune.&lt;br/&gt;&lt;strong&gt;Ford Records ~ 1968&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI01022012_00005.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/w1.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br/&gt;STOLLER&amp;#8217;S TEAM&amp;#160;: Sapporo/Mean&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;When I think of the Winter Olympics I remember that downhill sk-ing theme&lt;a href="http://youtu.be/jOEO_fgG3-I" target="_blank"&gt;&lt;br/&gt;&lt;strong&gt;&lt;em&gt;Pop Looks Bach&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt; by Sam Fonteyn, this however is not that stirring tune.&lt;br/&gt;It tries hard to convey the excitement and thrills of a snowy sports festival&lt;br/&gt;but falls way too short, even with actual ski-ing sounds mixed in the music.&lt;br/&gt;It&amp;#8217;s the B side who is the winner here, with it&amp;#8217;s heavy Afro vibes and funky beat.&lt;br/&gt;&lt;strong&gt;Decca Records ~ 1972&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI01012012_00030.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;The British Olympic Supporters&amp;#160;: Bronze, Silver &amp;amp; Gold&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Also from released to promote the 1972 Olympics was this 7&amp;#8221; single&lt;em&gt;&lt;br/&gt;Bronze, Silver &amp;amp; Gold&lt;/em&gt; which is a brass-backed march and very ho-hum.&lt;br/&gt;The B side is a trumpet-led instrumental titled &lt;em&gt;Chin Up&lt;/em&gt; which kinda gave&lt;br/&gt;the impression that we were never really gonna win all that much anyway&lt;br/&gt;so keep on smiling and hey, chin up!&lt;br/&gt;&lt;strong&gt;Bumble Records ~ 1972&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI01012012_00031.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI01022012_00012.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;PETER BLEGVAD&amp;#160;: Alcohol&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I couldn&amp;#8217;t resist this single which I paid the seller £2 for as it was originally &lt;br/&gt;recorded as a demo for the Slapp Happy/Henry Cow album &lt;em&gt;Desperate Straights&lt;/em&gt; &lt;br/&gt;in 1974 by Peter Blegvad and Anthony Moore. The B side of this one-sided disc &lt;br/&gt;has grapes etched around it and came with a dire warning on it&amp;#8217;s inner sleeve&lt;br/&gt;and was also a tricky disc to take a photo of - check out the&lt;strong&gt; &lt;a href="http://youtu.be/IfSxQqXRifE" title="video" target="_blank"&gt;video&lt;/a&gt;&lt;/strong&gt;&lt;br/&gt;&lt;strong&gt;Recommended Records ~ 1981&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/P1080230.jpg" width="500"/&gt;&lt;/p&gt;</description><link>http://tgoed.tumblr.com/post/17603352897</link><guid>http://tgoed.tumblr.com/post/17603352897</guid><pubDate>Tue, 14 Feb 2012 06:26:00 -0500</pubDate></item><item><title>late Winter 2011</title><description>&lt;p&gt;Despite the cold and grim mornings there are still plenty of hardy &lt;br/&gt;souls out there in the fields and car parks of Northampton at 7am &lt;br/&gt;on a Sunday morning! I may not be brave enough to stand around &lt;br/&gt;for a few hours behind a trestle table myself but I am still to be found&lt;br/&gt;on my knees digging away in search of vinyl treasures. &lt;br/&gt;These past few weeks have been kind to me as I have dug up s&amp;#8217;more &lt;br/&gt;lovely singles as well as several flexi-discs, most of which I post on my &lt;br/&gt;Facebook page. This is the pick of the vinyl including this first one which &lt;br/&gt;I never even knew existed until I came across it in a box of old reggae singles.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI13122011_00005.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;ADAM &amp;#8216;BATMAN&amp;#8217; WEST&amp;#160;: Batman &amp;amp; Robin&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I always assumed everybody knew who Adam West is but it seems &lt;br/&gt;powers at EMI thought it best to add Batman to his name just in case &lt;br/&gt;some folks had forgotten who was that masked man. This single was &lt;br/&gt;released around the time of the TV series re-runs at teatime and was&lt;br/&gt;unfortunately another one of those dodgy spoken word discs that seemed&lt;br/&gt;to clog up the charts in the mid 70&amp;#8217;s. This one never even tickled the lower&lt;br/&gt;reaches of the charts but &lt;em&gt;holy smokes Robin&lt;/em&gt; it is a demo!&lt;br/&gt;&lt;strong&gt;Target Records ~ 1976&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI13122011_00006.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;GEORGIE FAME&amp;#160;: The Ballad of Bonnie &amp;amp; Clyde&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Not a particularly scarce record but a nice demo of a single that was a #1 hit &lt;br/&gt;for R&amp;amp;B singer Georgie Fame in 1967. His rarest record is the single that came&lt;br/&gt;a few years later titled &lt;em&gt;Entertaining Mr Sloan&lt;/em&gt; from the&lt;span class="st"&gt; black comedy film&lt;/span&gt; of the&lt;br/&gt;same name. That 7&amp;#8221; worth at least £75 and rarely comes up for sale on eBay.&lt;br/&gt;&lt;strong&gt;CBS ~ 1967&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI13122011_00010.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;John &amp;amp; Joan Shakespeare&amp;#160;: Number One Theme&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This great single turns out to be pretty rare but it was the picture sleeve&lt;br/&gt;that first caught my eye, funny that. The tune was specially composed by&lt;br/&gt;the husband and wife duo as a commercial for long defunct BEA Airways.&lt;br/&gt;The B side &lt;em&gt;Fade Out&lt;/em&gt; was the title music for the Stanley Baker film of the&lt;br/&gt;same name and both sides were arranged by none other than Quincy Jones.&lt;br/&gt;&lt;strong&gt;Decca ~ 1969&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI13122011_00011.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI13122011_00012.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;GANGSTER&amp;#160;: Build On Our Dreams&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This charity single was released in 1988 to raise money for a new &lt;br/&gt;scanner for Huntingdon Hospital and was released appropriately &lt;br/&gt;enough on Hospital Records. The rear of the sleeve features the &lt;br/&gt;group were superimposed on a photo of a brain scan and could be &lt;br/&gt;bought for the minimum donation of only one pound.&lt;br/&gt;&lt;strong&gt;Medical Records ~ 1988&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI13122011_00004.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;FAMILY&amp;#160;: Strange Band EP&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I have most of the Family albums (arf) but this single was new to me and &lt;br/&gt;what a great sleeve! It is a 3 track EP which features new versions of 2 of &lt;br/&gt;their tunes including a reworking of one of their finest songs, &lt;em&gt;Weaver&amp;#8217;s Answer&lt;br/&gt;&lt;/em&gt;which was also the first track on the album&lt;em&gt; Family Entertainment.&lt;/em&gt; I used to&lt;br/&gt;have the original huge poster that came free with that album hanging up in&lt;br/&gt;my bedroom, yes I am that old/sad&amp;#8230;&lt;br/&gt;&lt;strong&gt;Reprise ~ 1970&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI13122011_00003.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;THE LATCHKEY CHILDREN&amp;#160;: The Latchkey Children&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Maybe I was too busy out causing mischief or more likely watching something&lt;br/&gt;else entirely but I don&amp;#8217;t recall &lt;em&gt;ever&lt;/em&gt; seeing this TV show. With a bit of research&lt;br/&gt;(I Googled it) I discovered &lt;span class="st"&gt;the show put an unusual comical slant on the problem &lt;br/&gt;of children left to fend for themselves after school as their parents were at work.&lt;br/&gt;The show only lasted one series but this single has managed to survive 30 years.&lt;br/&gt;&lt;strong&gt;Virgin Records ~ 1980&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="st"&gt;&lt;strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI13122011_00002.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;CLIVE ALLAN ORCHESTRA&amp;#160;: Various Hits&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;These 3 x 6 track EPs were all nestled together, unloved in a box of old&lt;br/&gt;&lt;em&gt;Top of The Pops&lt;/em&gt; albums and were released around the same time as those &lt;br/&gt;dodgy compilations were first issued. Bringing together hits of the time on &lt;br/&gt;a budget priced 7&amp;#8221; these 3 each have the same artwork in different shades &lt;br/&gt;of groovy colours. The Clive Allan Orchestra and Singers were the guilty ones&lt;br/&gt;behind the covers and they really did hit their stride with that green one!&lt;br/&gt;&lt;strong&gt;Avenue Records ~ 1969&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="st"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="st"&gt;&lt;strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI13122011_00009.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;CLIVE ALLAN ORCHESTRA&amp;#160;: Various Hits&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;A year earlier and on the similar &lt;em&gt;Disc-A-Fran&lt;/em&gt; budget label came &lt;br/&gt;this equally grim cover versions EP by the same guilty party as the &lt;br/&gt;ones above. The rear of the sleeve with its sulky as opposed to sultry &lt;br/&gt;model states that the label is actually proud to bring you these faithful &lt;br/&gt;reproductions of great hits - each month! meaning there are more of these&lt;br/&gt;frankly awful singles out there, somewhere, hiding in a box near you&amp;#8230;&lt;br/&gt;&lt;strong&gt;Disc-A-Fran Records ~ 1968&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="st"&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://tgoed.tumblr.com/post/14165857497</link><guid>http://tgoed.tumblr.com/post/14165857497</guid><pubDate>Tue, 13 Dec 2011 09:09:00 -0500</pubDate></item><item><title>Autumn</title><description>&lt;p&gt;The booting year is certainly winding down now with only a few more &lt;br/&gt;of the big regular events to go and I am soon gonna be wondering what &lt;br/&gt;to do with my Sunday mornings. I&amp;#8217;ve discovered a few nice singles in &lt;br/&gt;the last few weeks however, nothing especially rare but sweet enough&lt;br/&gt;to squirrel away. I also plan on selling a load of old albums at the end &lt;br/&gt;of the month, so if your at Sixfields Stadium in Northampton on the &lt;br/&gt;last Sunday in October keep a look out for the tall guy with the fedora!&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i207.photobucket.com/albums/bb7/shanequentin2/CCI11102011_00005.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;SOUND EFFECTS&amp;#160;: Space Ship/Ghosts&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I was chuffed to bits when I found this single even though I already have &lt;br/&gt;several albums of sound effects, from earthquakes to farts. Its a pity it didn&amp;#8217;t &lt;br/&gt;come in a picture sleeve and the electronically created ghosts are as unghostly &lt;br/&gt;as they could possibly be, yet there is a naive charm about them I like. &lt;br/&gt;Shame there is no credit as to who created them but I&amp;#8217;d like to think they &lt;br/&gt;might be early Delia Derbyshire experiments.&lt;br/&gt;&lt;strong&gt;HMV ~ 1960&amp;#8217;s&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i207.photobucket.com/albums/bb7/shanequentin2/CCI11102011_00006.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i207.photobucket.com/albums/bb7/shanequentin2/CCI11102011_00004.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;THE CIMEX INVASION&amp;#160;: Top Secret&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This is a bizarre promotion record for &lt;a href="http://www.parish-supply.com/cimex.htm" target="_blank"&gt;&lt;em&gt;Cimex Industrial&lt;/em&gt;&lt;/a&gt; which was released &lt;br/&gt;to encourage businesses to buy their cleaning machine products. It has &lt;br/&gt;some excellent &lt;em&gt;Radiophonic Workshop&lt;/em&gt; style electronics floating over the &lt;br/&gt;voice of a salesman warning you that the &amp;#8220;&lt;em&gt;The Cimex are coming&lt;/em&gt;,&lt;em&gt; Cimex &lt;/em&gt;&lt;em&gt;&lt;br/&gt;are invading the earth with the most powerful cleaners the world has seen&lt;/em&gt;&amp;#8221; &lt;br/&gt;we have certainly been warned! The A side urges you to play it first yet it&amp;#8217;s&lt;br/&gt;B side asks you not to play it at all, but thats because it is just a single tone &lt;br/&gt;all the way through&amp;#8230;&lt;br/&gt;&lt;strong&gt;Private Pressing ~ 1960&amp;#8217;s&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i207.photobucket.com/albums/bb7/shanequentin2/CCI11102011_00009.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i207.photobucket.com/albums/bb7/shanequentin2/CCI11102011_00003.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;THE SESSION&amp;#160;: Bridge Over Troubled Water&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This is an incredibly sad record which was released to raise money for &lt;br/&gt;families of the Hungerford tragedy in 1987 when lone gunman Michael Ryan &lt;br/&gt;went on a rampage around the streets of Hungerford killing 16 people. &lt;br/&gt;The Session consists of several pop stars of the time including Sinitta, &lt;br/&gt;Imagination and err, Marti Webb. I was living in Australia at the time of &lt;br/&gt;this release so when I came across it recently I had been blissfully unaware &lt;br/&gt;of it&amp;#8217;s existence up until the moment I found it hidden in a box of NOW albums.&lt;br/&gt;The B side is an equally miserable song titled &lt;em&gt;I&amp;#8217;m Crying&lt;/em&gt;.&lt;br/&gt;&lt;strong&gt;PRT ~ 1987&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i207.photobucket.com/albums/bb7/shanequentin2/CCI10102011_00002.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;SPIKE MILLIGAN&amp;#160;: The Wormwood Scrubs Tango&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I was not familiar this typically &lt;a href="http://youtu.be/fZEk3TNPCNU" target="_blank"&gt;silly single&lt;/a&gt; featuring Spike doing his old &lt;br/&gt;Goonish voice over an orchestra but it&amp;#8217;s the B side which totally loses it &lt;br/&gt;and jumps off the deep end into utter silliness, titled &lt;em&gt;The Little Grey Hole &lt;br/&gt;In My Vest&lt;/em&gt; it is just totally crackers, which for Spike Milligan is really saying&lt;br/&gt;something! This 7&amp;#8221; was originally released  in the early 60&amp;#8217;s but for some reason &lt;br/&gt;re-issued in 1974 maybe to tie in with his TV show Q5 or Q6 at the time?!&lt;br/&gt;&lt;strong&gt;BBC Records ~ 1974&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i207.photobucket.com/albums/bb7/shanequentin2/CCI11102011_00008.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;JULIE &amp;amp; GORDON&amp;#160;: Gordon&amp;#8217;s Not A Moron / J-J-Julie (Yippee Yula)&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I was lucky to pick up an original Rabid Records first pressing of the classic&lt;br/&gt;&lt;a href="http://youtu.be/KxL9dHStGdM" target="_blank"&gt;&lt;em&gt;Jilted John&lt;/em&gt;&lt;/a&gt; by Jilted John single recently so imagine my suprise when I came&lt;br/&gt;across these 2 &amp;#8216;response records&amp;#8217; last weekend! The chorus of Jilted John was&lt;br/&gt;of course &lt;em&gt;&amp;#8220;Gordon is a moron&lt;/em&gt;&amp;#8221; yet JJ&amp;#8217;s creator &lt;a href="http://en.wikipedia.org/wiki/Graham_Fellows" target="_blank"&gt;Graham Fellows&lt;/a&gt; had no hand in &lt;br/&gt;creating either of these singles.&lt;br/&gt;&lt;strong&gt;Pogo Records ~ 1978/9&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i207.photobucket.com/albums/bb7/shanequentin2/CCI11102011_00007.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;</description><link>http://tgoed.tumblr.com/post/11352213755</link><guid>http://tgoed.tumblr.com/post/11352213755</guid><pubDate>Wed, 12 Oct 2011 08:50:00 -0400</pubDate></item><item><title>late Summer</title><description>&lt;p&gt;This has proved to be another fruitful month for singles, I did pick&lt;br/&gt;up a few albums however, the nicest of which was a Psych-Punk&lt;br/&gt;compilation called &lt;a href="http://rateyourmusic.com/release/comp/various_artists_f2/mayhem_and_psychosis_vol__1/" target="_blank"&gt;&lt;em&gt;Mayhem &amp;amp; Psychosis&lt;/em&gt;&lt;/a&gt; which is pretty, pretty good.&lt;br/&gt;I came across a box of Tom Jones albums and tucked in at the back&lt;br/&gt;were the top three singles below, the first of which I was quite excited&lt;br/&gt;about at first until I noticed a missing letter in his christian name, still&lt;br/&gt;it was a curio I was happy to give a home to.&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/new7.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;ANTONY HOPKINS&amp;#160;: Talking About Mozart &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Yes, that is Antony Hopkins not &lt;em&gt;Sir&lt;/em&gt; Anthony Hopkins, I do have a single &lt;br/&gt;by Sir Anthony somewhere called &lt;em&gt;Distant Star&lt;/em&gt; but this is a different kettle &lt;br/&gt;of fish altogether. This chap simply talks you through Mozart&amp;#8217;s Symphony &lt;br/&gt;No. 41 in C and err, thats it! Quite who this record was aimed at is anyones &lt;br/&gt;guess but the narrator obviously knows his stuff as he also wrote a book &lt;br/&gt;called yes, you&amp;#8217;ve guessed it &lt;em&gt;Talking About Symphonies.&lt;/em&gt;&lt;br/&gt;&lt;strong&gt;Jupiter Records ~ 1961&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/new8.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;YEHUDI MENUHIN&amp;#160;: What Is Music?&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This excellent and very educational record I assume was originally meant &lt;br/&gt;to be played in schools to help teach kids about the different sounds and &lt;br/&gt;styles of music from Beethoven, lions, Indian Sitars, African drums to an &lt;br/&gt;erupting volcano - they&amp;#8217;re all here! Sir Menuhin&amp;#8217;s vocal delivery is a bit dry but &lt;br/&gt;I am sure it would still have sounded quite interesting even if you were sitting &lt;br/&gt;cross-legged on a gym floor or relaxing in your front room on headphones.&lt;br/&gt;&lt;strong&gt;BPC Records ~ 1969&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/new4.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;VANESSA REDGRAVE&amp;#160;: Hanging On A Tree&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;She is perhaps better known as an actress rather than a folk singer yet the &lt;br/&gt;folk label Topic bravely decided to give her a shot at warbling along with &lt;br/&gt;Bill Daley on guitar and Jim Bray on double bass to a couple of tunes in 1964. &lt;br/&gt;I&amp;#8217;d imagine a whole album was unlikely to ever happen so the only recorded &lt;br/&gt;proof that Vanessa could hold a tune together is on this one-off single.&lt;br/&gt;&lt;strong&gt;Topic Records ~ 1964&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/new5.jpg" width="500"/&gt;&lt;strong&gt;&lt;br/&gt;&lt;br/&gt;BILL WYMAN&amp;#160;: (Si Si) Je Suis Un Rock Star&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;This is perhaps the ex Rolling Stones bass players finest solo moment,&lt;br/&gt;I heard it in a club recently and it still sounds great. This copy I picked &lt;br/&gt;up is nice for a couple of other reasons, firstly it&amp;#8217;s a promo which would &lt;br/&gt;be cool in it&amp;#8217;s own right, but what gives this copy extra wow factor is &lt;br/&gt;that the B side is signed by none other than ex-Radio 1 DJ Mike Read.&lt;br/&gt;I can only assume this was some (unwanted) competition prize, perhaps &lt;br/&gt;on a Radio 1 Roadshow or maybe someone has forged his autograph and &lt;br/&gt;it&amp;#8217;s a fake!? come to think of it, that has got be highly unlikely!&lt;br/&gt;&lt;strong&gt;A&amp;amp;M ~ 1981&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/new6.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/new2.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;THE ONLY ONES&amp;#160;: Another Girl, Another Planet&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I think I must have several other copies of this brilliant song in various formats,&lt;br/&gt;the original studio album it came on, the great &lt;a href="http://www.imdb.com/title/tt0080013/"&gt;&lt;em&gt;That Summer&lt;/em&gt;&lt;/a&gt; soundtrack, a CD&lt;br/&gt;and a battered copy of the 7&amp;#8221; itself but this is the first time I have come across &lt;br/&gt;one in it&amp;#8217;s original picture sleeve. Designed by Rocking Russian who were also &lt;br/&gt;responsible for other sleeves from Siouxsie &amp;amp; The Banshees and UB40 to &lt;br/&gt;Teardrop Explodes and Kool &amp;amp; The Gang .&lt;br/&gt;&lt;strong&gt;CBS ~ 1978&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/new3.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;BINKY BAKER &amp;amp; PIT ORCHESTRA&amp;#160;: Toe Knee Black Burn&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This Stiff curio (BUY 41) originally came in a picture sleeve but I prefer this &lt;br/&gt;standard company sleeve to be honest. The song is a pretty straight forward &lt;br/&gt;run through of the words Toe, Knee, Black and Burn and variations like Burn, &lt;br/&gt;Black, Knee, Toe, etc. The pictures on the label explain more but I just wish &lt;br/&gt;I could work out who it is he&amp;#8217;s meant to be singing about&amp;#8230;&lt;br/&gt;&lt;strong&gt;Stiff Records ~ 1978&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/new9.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;ROADRUNNER AKA CHRIS ROBERTS BAND&amp;#160;: C.B. Independence&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Not exactly a catchy name for a band and a pretty awful art sleeve too but &lt;br/&gt;this song in praise of the Citizen&amp;#8217;s Band Radio craze is a snapshot of a time &lt;br/&gt;long, long ago when we used to talk to each other before the internet!&lt;br/&gt;This country tinged tune features the great B.J. Cole on twangy steel &lt;br/&gt;guitar but no, that is &lt;em&gt;not&lt;/em&gt; the Motorhead song of the same name on the flip, &lt;br/&gt;they mean something else entirely, mind you could that be &lt;em&gt;the&lt;/em&gt; Brian Clough &lt;br/&gt;who did the sleeve.&lt;br/&gt;&lt;strong&gt;Cavalcade Records ~ 1980&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/new10.jpg" width="500"/&gt;&lt;/p&gt;</description><link>http://tgoed.tumblr.com/post/10516984101</link><guid>http://tgoed.tumblr.com/post/10516984101</guid><pubDate>Thu, 22 Sep 2011 08:35:00 -0400</pubDate></item><item><title>mid Summer part 2</title><description>&lt;p&gt;I left it until the end of the month to update this time as there was &lt;br/&gt;the Bank Holiday and the end of August, I need not have worried as &lt;br/&gt;once again this summer month has been a bit of a wash-out.&lt;br/&gt;Still, I did find some nice bits &amp;#8216;n&amp;#8217; bobs on my hunts, but I now have to&lt;br/&gt;travel further afield to seek out quality booty as there is so much &lt;br/&gt;competition at my local car boots. Things I found most folks used to &lt;br/&gt;leave are now being quickly snapped up, yes even some of the stuff &lt;br/&gt;I buy and sometimes they do it right in front of me, outrageous!&lt;br/&gt;I did pick up a few good 7&amp;#8221;s except this first one which turned out to &lt;br/&gt;be just the sleeve as I paid 50p for it without checking and discovered &lt;br/&gt;it wasn&amp;#8217;t what it should have been, grrr&amp;#8230;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI30082011_00003.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;KRAFTWERK&amp;#160;: Radioactivity &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Yes, how frustrating to come across this great single in it&amp;#8217;s original UK&lt;br/&gt;picture sleeve, I had never even seen a copy before, so imagine my horror &lt;br/&gt;at getting it home and carefully taking it out only to find an Eddie &amp;amp; The Hot Rods disc inside! I wouldn&amp;#8217;t have minded perhaps if it was one of their better &lt;br/&gt;records like the &lt;em&gt;Live At The Marquee EP&lt;/em&gt; but it was &lt;em&gt;Do Anything You Wanna Do&lt;/em&gt;. &lt;br/&gt;Disappointment is too small a word to describe my feelings, but I do have this &lt;br/&gt;sleeve and one day I &lt;em&gt;will&lt;/em&gt; find that record!&lt;br/&gt;&lt;strong&gt;Capitol ~ 1976&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI30082011_00004.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;KIM FOWLEY&amp;#160;: Control&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;In the same box as the Kraftwerk single was this German pressing of&lt;br/&gt;a record by a glammed up Kim Fowley. I don&amp;#8217;t think I would have the nerve&lt;br/&gt;to dress up like him when I was nearly 40 but Kim is a sTrAnGe man.&lt;br/&gt;Check some of his production credits on the rear of the sleeve below.&lt;br/&gt;He released this the same year as he packed in managing The Runaways, &lt;br/&gt;it&amp;#8217;s an odd but pretty catchy foot-stamper which you can hear for yourself &lt;a href="http://youtu.be/SYB5m619lH4" target="_blank"&gt;here&lt;br/&gt;&lt;/a&gt;&lt;strong&gt;Mercury ~ 1977&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI30082011_00007.jpg" width="500"/&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI30082011_00001.jpg" width="500"/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;CD4 ADJUSTMENT RECORD&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;Long, long ago before before the idea of CD&amp;#8217;s - man (and probably a woman)&lt;br/&gt;invented a music system called &lt;strong&gt;Quadradisc!&lt;/strong&gt; This single was released in a &lt;br/&gt;series of 4 - one for each speaker? and were 4 Channel Stereo/Quadradisc &lt;br/&gt;test discs, spoken in English alongside electronic whizzes and bleeps that &lt;br/&gt;Stereolab have been proud to sample and loop.&lt;br/&gt;&lt;strong&gt;JVC Japan ~ 1970&amp;#8217;s&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="686" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI24082011_00001.jpg" width="500"/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;GREETINGS IN MUSIC ~ Postcard Flexi-disc&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This was one of 3 postcard flexidiscs I found in a box of albums, yes &lt;br/&gt;under a trestle table - but of course. It is actually impossible to spin &lt;br/&gt;on my deck because it would kill my stylus, luckily I don&amp;#8217;t need to play &lt;br/&gt;it anyway as the rear of the card lists the tune as &lt;em&gt;Woudn&amp;#8217;t It Be Loverly &lt;/em&gt;&lt;br/&gt;and I think I can live without that. It &lt;em&gt;is &lt;/em&gt;a loverly disc though, the other &lt;br/&gt;two I found were Italian scenes and were even more unplayable at 78rpm&lt;br/&gt;all three date from the late 1950&amp;#8217;s.&lt;br/&gt;&lt;strong&gt;Fonoscope ~ 1958&lt;/strong&gt;&lt;br/&gt;&lt;em&gt;&lt;br/&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="403" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI24082011_00005.jpg" width="654"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI30082011_00002.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;SPLIT ENZ&amp;#160;: I See Red EP&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;This band from down under were one of the first I ever saw live and as an&lt;br/&gt;impressionable 15 year old, fell for them big time. However, on that evening &lt;br/&gt;I saw them at St Albans Civic Center one of the most abiding memories was &lt;br/&gt;hearing Talking Heads &lt;em&gt;Psycho Killer&lt;/em&gt; for the first time, booming out over the PA &lt;br/&gt;in the interval and that &lt;strong&gt;totally&lt;/strong&gt; blew me away. That night in 1977 pretty much &lt;br/&gt;set me on a path of musical appreciation that still continues today and this early &lt;br/&gt;single of theirs was perhaps not one of their best but they did have a certain&lt;br/&gt;quirky and goofy charm, check the video for &lt;a href="http://youtu.be/vKj4upY1VYI" target="_blank"&gt;&lt;em&gt;I See Red&lt;/em&gt;&lt;/a&gt; &lt;br/&gt;&lt;strong&gt;Illegal Records ~ 1978&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI30082011_00000.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;MIKE SCENE&amp;#160;: For The Love of Mike&lt;br/&gt;&lt;/strong&gt;&lt;br/&gt;This single is in no way related to the Frank Capra film of the same name,&lt;br/&gt;&lt;strong&gt; &lt;/strong&gt;as it is a promotional tool for Philips microphones - mike / microphone, &lt;br/&gt;d&amp;#8217;ya see what they did there? The a-side features some early 70&amp;#8217;s slightly &lt;br/&gt;sexist &lt;em&gt;stereo &lt;/em&gt;typical banter, between a couple about the benefits of Philips &lt;br/&gt;mikes whilst the b-side is just yer typical stereo test record.&lt;br/&gt;&lt;strong&gt;Pye Business Communications Records ~ 1971&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;</description><link>http://tgoed.tumblr.com/post/9592957681</link><guid>http://tgoed.tumblr.com/post/9592957681</guid><pubDate>Tue, 30 Aug 2011 14:16:00 -0400</pubDate></item><item><title>mid Summer part 1</title><description>&lt;p&gt;July proved to be a pretty grim month for the car boots, I blame the weather &lt;br/&gt;so there is not much I can do about that, but I did find a few nice records. &lt;br/&gt;I had one really good week at the beginning of the month when I found a lot &lt;br/&gt;of unusual singles however I can&amp;#8217;t help feeling the rain gods are picking on the &lt;br/&gt;weekends to deliberately piss me off, grrrr.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI04082011_00004.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;SERIOUS THRUSH&amp;#160;: Give 3 Cheers!&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This is one seriously bizarre record released in the early 90&amp;#8217;s to promote &lt;br/&gt;sexual health care in Northamptonshire. The disc comes in a fold-out poster &lt;br/&gt;sleeve as you can see below, I guess the intentions of Serious Thrush - err,&lt;br/&gt;what a name for a band! were honourable but the record itself is just horrible.&lt;strong&gt;&lt;br/&gt;Northampton Health Authority ~ 1991&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;img alt="image" height="692" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/P1050972.jpg" width="500"/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new%20pics/CCI04082011_00001.jpg" width="500"/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;JOHNNY MORRIS&amp;#160;: Sounds Of The Countryside&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt; Listening to the great &lt;em&gt;Animal Magic&lt;/em&gt; host ramble on about birds he meets &lt;br/&gt;in the green fields of England might be considered incredibly dull to the &lt;br/&gt;untrained ear. However, his dulcet tones are so comforting I trust everything &lt;br/&gt;he says, and when he has conversations with the various animals roaming the &lt;br/&gt;land I really believe he knows what they are saying!&lt;strong&gt;&lt;br/&gt; Shell Records ~ 1960&amp;#8217;s&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI04082011_00000.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;DAVID BOWIE&amp;#160;: Space Oddity EP&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt; I did already have a copy of this EP but in a really tatty sleeve, so imagine&lt;br/&gt;my joy and finding a really nice one in a 50p box. I actually bought this when &lt;br/&gt;it first came out and &lt;em&gt;love&lt;/em&gt; Velvet Goldmine which was unreleased at the time.&lt;br/&gt;DB looks so cool on the sleeve but I wasn&amp;#8217;t to know then that he was in his&lt;br/&gt;coked-out-of-his-skull phase, mind you that probably explains the shirt!&lt;strong&gt;&lt;br/&gt; RCA Records ~ 1975&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/rh.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;ROY HUDD&amp;#160;: Ramsey&amp;#8217;s Men / The Day We Won The Cup&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I was pleased to find this scarce single in not only mint &amp;amp; unplayed condition &lt;br/&gt;but two copies of it sitting in a box of Trad Jazz sevens. I had not come across&lt;br/&gt;it before and as football records go it&amp;#8217;s not bad (a rarity in itself) namechecking &lt;br/&gt;the whole team and Roy Hudd makes sure he even gives the unused subs a nod! &lt;br/&gt;The B side is a right old &lt;em&gt;cor-blimey-guvner-knees-up&lt;/em&gt;singalong which bizarrely&lt;br/&gt;manages to mentionKenneth Wolstenholme and fags in the same line. &lt;br/&gt;&lt;em&gt;The Day We Won The Cup&lt;/em&gt; is unlikely to happen again anytime soon either&amp;#8230;&lt;br/&gt;&lt;strong&gt;Polydor ~ 1966&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI16072011_00000.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;TINA ST.CLAIR&amp;#160;: I Have Loved Me A Man EP&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This glamourous lady with her lovely hair and perfect make up is a bit &lt;br/&gt;of a mystery, I couldn&amp;#8217;t find out anything about her on Google and she&lt;br/&gt;has no presence on eBay, so who exactly is she?! I can only guess that&lt;br/&gt;this Country-tinged but terrifically bland EP of covers was sold via her pub&lt;br/&gt;gigs in the early 70&amp;#8217;s and then she simply disappeared or got married to some&lt;br/&gt;sleazy gangster. The swirly sleeve below on the rear of it&amp;#8217;s picture front was &lt;br/&gt;what really attracted me to this in the first place, honestly.&lt;br/&gt;&lt;strong&gt;SRTS records ~ 1970&amp;#8217;s&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI16072011_00001.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI03072011_00005.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;TONY FAYNE&amp;#160;: British Institutions No.2&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;This is an odd one, the humour has not stood the test of time even &lt;br/&gt;though it has an audience roaring with laughter in the background. &lt;br/&gt;Tony Fayne was probably best known as the straightman stooge for &lt;br/&gt;Norman Wisdom as well as being a regular on the Royal Variety Show &lt;br/&gt;in the 50&amp;#8217;s but his observations on British Railways and the Police sound &lt;br/&gt;like they are from an era now long gone, hear for yourself &lt;a href="http://youtu.be/LT-GLB-OOTI" title="here" target="_blank"&gt;here&lt;br/&gt;&lt;/a&gt;&lt;strong&gt;Philips Records ~ 1961&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI03072011_00006.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI03072011_00003.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;VARIOUS&amp;#160;: Music From The L&amp;#8217;Oreal Colour Trophy&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;This is another single I had not seen before which must have been some &lt;br/&gt;kind of promo freebie to celebrate the fancy hair colouring competition in &lt;br/&gt;the mid 70&amp;#8217;s. It features a great selection of tunes the models would have&lt;br/&gt;been swishing their beautifully &lt;span class="st"&gt;coiffered hair around to, from Mandingo to &lt;br/&gt;MFSB but unfortunately only a minute or so of each groovy track is played.&lt;br/&gt;I discovered that the L&amp;#8217;Oreal Trophy Competition is &lt;em&gt;still&lt;/em&gt; going on, you can see&lt;br/&gt;this years winners &lt;a href="http://youtu.be/iMhcfNCxEcc" title="here" target="_blank"&gt;here&lt;br/&gt;&lt;/a&gt;&lt;strong&gt;Lyntone ~ 1975&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="200" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI03072011_00004.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/P1050862.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;LIVERPOOL FC&amp;#160;: Sing Along With Liverpool&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;I&amp;#8217;m a longtime collector of football vinyl and have an unhealthy amount of &lt;br/&gt;albums and singles which is probably a punishable offence in some countries.&lt;br/&gt;I have the 7&amp;#8221; from this release but not this LP, which features my favourite &lt;br/&gt;team from the era I first started following them, so you can imagine, I almost &lt;br/&gt;wet myself when I found it in a box for a quid. Of course when they were not &lt;br/&gt;killing the opposition on the pitch they were destroying &lt;em&gt;Yellow Submarine&lt;/em&gt; and&lt;em&gt; &lt;br/&gt;Lily The Pink&lt;/em&gt; as well as&lt;span class="track_title"&gt;that Scouse classic&lt;em&gt; You&amp;#8217;ll Never Walk Alone,&lt;/em&gt;&lt;/span&gt; it may not &lt;br/&gt;be much of a result but it&amp;#8217;s still a lot better than the nightmare of last season!&lt;br/&gt;&lt;strong&gt;Penny Farthing Records ~ 1972&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/P1050864.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;ENID BLYTON&amp;#160;: Children&amp;#8217;s Stories&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I found these four albums in the same box and they were all in pretty good&lt;br/&gt; nick, considering children&amp;#8217;s records tend to get trashed by peanut butter &lt;br/&gt;covered fingers. However it looks like some girl named Loretta had decided &lt;br/&gt;that she would sign her own album suitably titled &lt;em&gt;The Naughtiest Girl In School&lt;/em&gt;, &lt;br/&gt;what a shame then that the previous owner wasn&amp;#8217;t Adele or Madonna as this &lt;br/&gt;would have made this a &lt;em&gt;really&lt;/em&gt; rare collectors item.&lt;br/&gt;&lt;strong&gt;Phonogram ~ 1975&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/P1050863.jpg" width="500"/&gt;&lt;/p&gt;</description><link>http://tgoed.tumblr.com/post/7725041380</link><guid>http://tgoed.tumblr.com/post/7725041380</guid><pubDate>Sun, 17 Jul 2011 11:20:00 -0400</pubDate></item><item><title>early Summer</title><description>&lt;p&gt;&lt;br/&gt;This month is starting off pretty well really, I bought 3 collections of different&lt;br/&gt;things at the boots last weekend alone. A huge box of promo CD&amp;#8217;s from a well &lt;br/&gt;known 6 Music DJ for £10 as well as a large collection of old sheet music by &lt;br/&gt;the likes of The Beatles, Billy Fury, Tornados, etc which I discovered in a box &lt;br/&gt;seemingly untouched for over 40 years, it looked like it had come from a house &lt;br/&gt;clearance of an unknown and recently departed old dear. &lt;br/&gt;A huge selection of 80&amp;#8217;s tour programmes also turned up at a poorly attended &lt;br/&gt;car boot in a car park near Northampton, they would all have been long gone &lt;br/&gt;if I had not got there first, but luckily I was one of only 3 buyers there!&lt;br/&gt;This is a pick of of the vinyl I found this week.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="denied:5http://i293.photobucket.com/albums/mm50/shanequentin3/CCI08062011_00006.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;LAURIE STEELE&amp;#160;: Music From The TV Series &amp;#8220;Joe&amp;#8221;&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I have a really scratched copy of this curious EP somewhere but this&lt;br/&gt;beautiful unplayed copy turned up on the same stall as the sheet music&lt;br/&gt;collection I mentioned above. It was originally broadcast before my time &lt;br/&gt;but it seems such a strange concept to have a childrens TV show based &lt;br/&gt;on a sad little boy living in a transport cafe whose only friends are the lorry &lt;br/&gt;drivers and whose playground is the lorry park.&lt;br/&gt;The music is more uplifting however&amp;#160;: &lt;a href="http://www.sendspace.com/file/ympacx" target="_blank"&gt;download&lt;/a&gt;&lt;br/&gt;Decca ~ 1966&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI08062011_00007.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI08062011_00005.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;SIR SIDNEY SAITHSWAITE &amp;amp; THE GARBAGE COLLECTORS &lt;/strong&gt;:&lt;br/&gt;&lt;strong&gt;Chase me Round The Garden / Our Mabel&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I couldn&amp;#8217;t even find any info on this single but another 7&amp;#8221; of his called &lt;br/&gt;&lt;em&gt;I Like Knees&lt;/em&gt; does seem to crop up occasionally. This single is a lovely &lt;br/&gt;slice of English whimsy in the style of Vivian Stanshall or William D. Drake&lt;br/&gt;and it still sounds funny and fresh and I shall look forward to playing it out&lt;br/&gt; in my own Garden soon.&lt;br/&gt;Parlophone ~ 1967&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI08062011_00004.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;RADIO STARS&amp;#160;: From A Rabbit / To A Beast&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I have come across 10&amp;#8221;, square, flexi-disc, coloured, lazer etched vinyl&lt;br/&gt;before but this is the first 6&amp;#8221; single I&amp;#8217;ve found - it&amp;#8217;s sooo cute!&lt;br/&gt;It probably came in a specially stickered picture sleeve but this curio &lt;br/&gt;didn&amp;#8217;t even have a sleeve when I found it inbetween some James Last&lt;br/&gt;albums, I&amp;#8217;d rather not know how it came to be there and I have given&lt;br/&gt;it a good loving home in a crinkled paper sleeve.&lt;br/&gt;Chiswick ~ 1978&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/P1050471.jpg" width="500"/&gt;&lt;br/&gt;&lt;strong&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;VARIOUS OPPRESSED TRIBES&amp;#160;: American Indian Ceremonial &amp;amp; War Dances&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;This American album certainly does exactly what it says on the sleeve&lt;br/&gt;consisting as it does of &lt;em&gt;oooohhhwaaahhhaaaawooorrraaaiiieeee&lt;/em&gt; etc, etc.&lt;br/&gt;It&amp;#8217;s not a record I would want to listen all the way through more than say&lt;br/&gt;once, but as a cultural artifact of wails, yelps and more than a smidgeon&lt;br/&gt;of sadness it&amp;#8217;s pretty hard to beat.&lt;br/&gt;Everest ~ 1970&amp;#8217;s&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" src="http://i293.photobucket.com/albums/mm50/shanequentin3/indy1.jpg"/&gt;  &lt;img alt="image" src="http://i293.photobucket.com/albums/mm50/shanequentin3/indy2.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/P1050470.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;BING &amp;amp; THE BIRDS&amp;#160;: Beat Party To The Classics&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This album is like, so groovy and far out man and predates the Jive Bunny&lt;br/&gt;idea of taking well known tunes and killing them with dance beats, by making&lt;br/&gt;well known composers spin forever in their graves by disco-ing their classics.&lt;br/&gt;If I was ever to hold a 60&amp;#8217;s themed evening however I am sure the crazy cats&lt;br/&gt;would love freakin&amp;#8217; out to these cheesey grooves - roll over Beethoven indeed!&lt;br/&gt;Saga ~ 1968&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="150" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI08062011_00000.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;</description><link>http://tgoed.tumblr.com/post/6316314922</link><guid>http://tgoed.tumblr.com/post/6316314922</guid><pubDate>Wed, 08 Jun 2011 06:32:00 -0400</pubDate></item><item><title>late Spring</title><description>&lt;p&gt;&lt;br/&gt;I was lucky to find some nice 7&amp;#8221; singles this last weekend as the &lt;br/&gt;weather turned pretty nasty and so rain stopped play, even though &lt;br/&gt;I did soldier on through a heavy shower at one point! A lot of the &lt;br/&gt;records I have not posted here were scarce Punk-era stuff like early &lt;br/&gt;Stiff &amp;amp; Beserkley releases, some Julian Cope/Teardrops double-packs &lt;br/&gt;and Devo coloured vinyl but the ones I have posted here are some of &lt;br/&gt;the more unusual ones I also found along the way.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI29052011_00003.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;GRAND FUNK RAILROAD&amp;#160;: We&amp;#8217;re An American Band&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;20p looks like a bargain for this US promo on lovely yellowy-orange &lt;br/&gt;vinyl which has a 78c price ticket on the other side of the sleeve. &lt;br/&gt;Produced by Todd Rundgren the B side is called Creepin&amp;#8217;.&lt;br/&gt;Capitol Records ~ 1973&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI29052011_00002.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;JOHNNY CARROLL &amp;amp; THE BLUE CAPS&amp;#160;: Be-Bop-A-Lula&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This is a pretty faithful version of the old Gene Vincent classic with&lt;br/&gt;it&amp;#8217;s B sideBlack Leather Rebel sounding just like the A sides tune but &lt;br/&gt;with different lyrics. Johnny Carroll released only two other singles in&lt;br/&gt;the mid 1950&amp;#8217;s both of which are worth around £1,000 each but this&lt;br/&gt;one is only around £10. UK American ~ 1974&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI29052011_00001.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;THE MOPEDS&amp;#160;: Whiskey &amp;amp; Soda  &lt;br/&gt;FRANK&amp;#8217; N&amp;#8217; FURTER&amp;#160;: Monster Reggae&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;One of a handful of Rhino Records I paid 50p each for, this one is in it&amp;#8217;s&lt;br/&gt;original company sleeve is a Blue Beat instrumental re-issued from 1968.&lt;br/&gt;The one below has a scarily rubbish tune despite the title &amp;amp; artist looking&lt;br/&gt;quite promising which is a bit of a shame, but it&amp;#8217;s an unusual find so I will&lt;br/&gt;no doubt file it away and just forget about it&amp;#8230;&lt;br/&gt;Rhino Records ~ 1974&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI29052011_00004.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI29052011_00005.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;HEARTBEAT OF AFRICA&amp;#160;: Drums Of Africa / Animal Voices&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I have both of these these two EP&amp;#8217;s on LP in identical covers and before &lt;br/&gt;finding them in the same box as the Rhino records never knew they even&lt;br/&gt;existed as 7&amp;#8221; singles. They were both released in the 60&amp;#8217;s in Kenya so I&amp;#8217;m&lt;br/&gt;assuming they were bought by their original owner as a souvenir of some&lt;br/&gt;long forgotten safari holiday. The one below features some excellent drums&lt;br/&gt;recordings including a Spirit Exorcism.&lt;br/&gt;Sapra Records ~ 1960&amp;#8217;s&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI29052011_00006.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="310" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI29052011_00007.jpg" width="513"/&gt;&lt;/p&gt;
&lt;p&gt; &lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;                &lt;img alt="image" height="81" src="http://i293.photobucket.com/albums/mm50/shanequentin3/scrolling.gif" width="300"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;I picked up the singles below in the first weekend of May, nothing all that&lt;br/&gt; rare really but these were five I had not come across before and how timely &lt;br/&gt;to discover the first one in a heavy box (arf) hiding under a trestle table.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/rnry.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;KING ROY&amp;#160;: &amp;#8216;Enry&amp;#8217;s &amp;#8216;Ammer!&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;A soft reggae tribute to the late Henry Cooper who passed away the day &lt;br/&gt;I found this single. &amp;#8216;Enry&amp;#8217;s &amp;#8216;Ammer is of course his mighty left hook and the &lt;br/&gt;B side is the suitably titled&lt;em&gt; Round 2&lt;/em&gt; ~ Note how the label patriotically says &lt;br/&gt;Made In Britain when Made In England usually suffices, however this single&lt;br/&gt; is indeed a knockout! &lt;br/&gt;INLINE Records ~ 1975&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI03052011_00000.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;strong&gt;J.J. CALE&amp;#160;: Riding Home&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This unique sleeve for the &lt;em&gt;Riding Home/Lies &lt;/em&gt;single  by J.J. Cale has this &lt;br/&gt;smart cover which features a pair of cats playing instruments, maybe&lt;br/&gt;Herb Alpert &amp;amp; Jerry Moss? Oddly enough &lt;em&gt;Lies&lt;/em&gt; was the original A side but &lt;br/&gt;on the strength of the success of his album &lt;em&gt;Really&lt;/em&gt; the record company &lt;br/&gt;decided to flip it with &lt;em&gt;Riding Home&lt;/em&gt;, but alas to no commercial joy.&lt;br/&gt;A&amp;amp;M Records ~ 1974&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="460" src="http://i293.photobucket.com/albums/mm50/shanequentin3/jj.jpg" width="865"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI03052011_00005.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;THE 101&amp;#8217;ERS&amp;#160;: Sweet Revenge&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;If your not familiar with the 101&amp;#8217;ers then take a closer look at the singer &lt;br/&gt;in the suit, for it is none other than The Clash frontman Joe Strummer!&lt;br/&gt;This single was released to cash in on the bands success in 1980 and &lt;br/&gt;was one of 2 singles released by the pub-rockers, the other one being&lt;em&gt;&lt;br/&gt;Keys To Your Heart&lt;/em&gt;. Not too suprisingly both flopped yet I don&amp;#8217;t think &lt;br/&gt;Joe would have been all that chuffed if he had been forced to perform &lt;br/&gt;either of them on Top Of The Pops if they had been hits.&lt;br/&gt;Big Beat Records ~ 1980&lt;strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI03052011_00006.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;PETER GABRIEL&amp;#160;: Solsbury Hill&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Not such a rare single on its own but in the original picture sleeve&lt;br/&gt;this is hard one to find. As debut singles go it&amp;#8217;s a classic and as weirdy&lt;br/&gt;poses go PG does it better than most, the B side is creepy album track&lt;br/&gt;&lt;em&gt;Moribund The Burgermeister&lt;/em&gt; - never a good choice at wedding parties.&lt;br/&gt;Charisma Records ~ 1977&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI03052011_00003.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;NEIL INNES&amp;#160;: Re-Cycled Vinyl Blues&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;With possibly the longest title on a single I have ever seen, this demo &lt;br/&gt;7&amp;#8221; by Neil Innes is perhaps better known as simply &lt;em&gt;Re-Cycled Vinyl Blues&lt;/em&gt;.&lt;br/&gt;Taking elements of old records from &lt;em&gt;White Christmas &lt;/em&gt;to &lt;em&gt;In The Mood&lt;/em&gt; the &lt;br/&gt;ex Bonzo Dog Doo Dah man tried his hand at sampling long before Hip Hop &lt;br/&gt;got there. The B side is appropriately enough called &lt;em&gt;Fluff On The Needle&lt;/em&gt;.&lt;br/&gt;United Artists Records ~ 1974&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;</description><link>http://tgoed.tumblr.com/post/5159588781</link><guid>http://tgoed.tumblr.com/post/5159588781</guid><pubDate>Tue, 03 May 2011 08:39:00 -0400</pubDate></item><item><title>early Spring 2011</title><description>&lt;p&gt;Car booting season is with us again, the weekend church of the bargain hunter, &lt;br/&gt;for what we are about pick up may we all be truly grateful. There are usually 2&amp;#160;&lt;br/&gt;on each weekend morning &lt;em&gt;at least, &lt;/em&gt;so plenty of opportunity to find something &lt;br/&gt;of interest. I am always on the look-out for more unusual vinyl treasures and&lt;br/&gt;as I only started my 2011 digging last Saturday, I have only found a few choice&lt;br/&gt;items to post up now, but be assured as the season warms up so will my posts.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI10042011_00000.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;strong&gt;THE O.D.S BAND&amp;#160;: Fly&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Originally KPM Library music this 7&amp;#8221; single was rush released thanks to &lt;br/&gt;the demands of viewers of the BBC TV show &amp;#8216;Gibson &amp;amp; The Red Arrows&amp;#8217; &lt;br/&gt;broadcast in May of that year.&lt;strong&gt;&lt;br/&gt;&lt;/strong&gt;BBC Records ~ 1981&lt;strong&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new2.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;THE PATRIK MICHAEL ORCHESTRA&amp;#160;: Music from Follyfoot&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Another TV theme record but this one is an album featuring music from   &lt;br/&gt;the early 70&amp;#8217;s Yorkshire based horse drama for kids. Featuring sweeping &lt;br/&gt;and swelling orchestrations and gentle, pony padding piano pieces, it&amp;#8217;s all &lt;br/&gt;a bit wet really but I had never seen a copy before so I had to get it.&lt;br/&gt;York Records ~ 1973&lt;strong&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/new1.jpg" width="500"/&gt;&lt;br/&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;HERE &amp;amp; NOW&amp;#160;: Give And Take&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Here &amp;amp; Now were one of those bands I read about in the 70&amp;#8217;s but never got &lt;br/&gt;around to ever actually hearing. So imagine my delight when I finally stumbled &lt;br/&gt;across one of their records - this is their 1st studio album called &lt;em&gt;Give &amp;amp; Take&lt;/em&gt; &lt;br/&gt;and it turns out to be rather bloody good! OK so, it&amp;#8217;s a bit crusty &amp;amp; very hippy &lt;br/&gt;but the tunes are strong with some of&lt;span class="SpellE"&gt; &lt;/span&gt; mainman &lt;span class="SpellE"&gt;Daevid&lt;/span&gt; Allens&amp;#8217; finest work this &lt;br/&gt;side of Planet Gong. Worth tracking down but call your dealer first!&lt;br/&gt;Charly Records ~ 1978&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI01012011_00002.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;Best find of the week was this beautifully presented 7&amp;#8221; single which comes &lt;br/&gt;in a fold out card sleeve with stapled booklet insert and a full set of 16 colour &lt;br/&gt;slides. The idea being that you present your own slide show programme by &lt;br/&gt;projecting a slide in sequence to the narration on the 7&amp;#8221; - not very technical &lt;br/&gt;and &lt;em&gt;very&lt;/em&gt; old school but it&amp;#8217;s well put together and as vinyl curios come this is &lt;br/&gt;one of the nicest I have found for quite some time.&lt;br/&gt;The Observer Records ~ 1970&amp;#8217;s&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI01012011_00001.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;</description><link>http://tgoed.tumblr.com/post/4608220778</link><guid>http://tgoed.tumblr.com/post/4608220778</guid><pubDate>Thu, 14 Apr 2011 11:26:00 -0400</pubDate></item><item><title>Picks of 2010</title><description>&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="img382.jpg picture by shanequentin3" class="media" height="500" id="fullSizedImage" src="http://i293.photobucket.com/albums/mm50/shanequentin3/img382.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;This is certainly the best record I have found on my car boot hunts &lt;br/&gt;this year. It comes inside a book from 1964 in it&amp;#8217;s original dust-jacket &lt;br/&gt;with 50 pages explaining the olde English way of &amp;#8216;Hunting By Ear&amp;#8217;. &lt;br/&gt;With illustrations and text to help the listener &lt;em&gt;&amp;#8220;understand and add &lt;/em&gt;&lt;br/&gt;&lt;em&gt;much to the joys and appreciation of fox-hunting&amp;#8221;. &lt;br/&gt;&lt;/em&gt;Blooding marvellous!&lt;br/&gt;&lt;br/&gt;&lt;img alt="img383.jpg picture by shanequentin3" class="media" height="569" id="fullSizedImage" src="http://i293.photobucket.com/albums/mm50/shanequentin3/img383.jpg" width="639"/&gt;&lt;br/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img alt="img384.jpg picture by shanequentin3" class="media" height="500" id="fullSizedImage" src="http://i293.photobucket.com/albums/mm50/shanequentin3/img384.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="img725.jpg picture by shanequentin3" class="media" height="500" id="fullSizedImage" src="http://i293.photobucket.com/albums/mm50/shanequentin3/img725.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;ABBA &amp;amp; FRIENDS&amp;#160;: Eurovision Song Contest EP&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;This is a seriously rare UK promo only EP which showcased the talent &lt;br/&gt;on offer in at Eurovision 1974. I have no memory of the event itself as &lt;br/&gt;I was more of a Bowie-freak at the time so have no idea who won or &lt;br/&gt;whatever became of them, shame. &lt;br/&gt;CBS/Epic Records ~ 1974&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="img728.jpg picture by shanequentin3" class="media" height="500" id="fullSizedImage" src="http://i293.photobucket.com/albums/mm50/shanequentin3/img728.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/img804.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;I picked up a couple of curios last weekend, this 7&amp;#8221; is the oddest one, &lt;br/&gt;a pretty crap rewrite of &lt;em&gt;&amp;#8216;Starting Over&amp;#8217;&lt;/em&gt; with &lt;em&gt;&amp;#8216;Gun Control&amp;#8217;&lt;/em&gt; replacing the &lt;br/&gt;title to the same tune. It&amp;#8217;s B side is his version of &lt;em&gt;&amp;#8216;Revolution #9&amp;#8217;&lt;/em&gt; titled &lt;br/&gt;&lt;em&gt;&amp;#8216;Revolution #2&amp;#8217;&lt;/em&gt; which samples various Beatles/Lennon tunes and The Stones &lt;br/&gt;&lt;em&gt;&amp;#8216;We Love You&amp;#8217;&lt;/em&gt; - it&amp;#8217;s odd but sadly rubbish. I do love the little drawing on the &lt;br/&gt;label though, it even has Yoko standing there with her back to him! &lt;br/&gt;&lt;strong&gt;Dakota Records ~ 1982&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;The other single of note I found was this 5 track 60&amp;#8217;s EP by Hull based duo &lt;br/&gt;Christopher Rowe and Ian Clark titled &lt;em&gt;&amp;#8216;Songs For Humberside&amp;#8217;&lt;/em&gt;, it&amp;#8217;s best track &lt;br/&gt;is called &lt;em&gt;&amp;#8216;Humber Bridge&amp;#8217;&lt;/em&gt;.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/img805.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;img border="0" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/organ7.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;Picked up a few organ related discs on Monday, this was the weirder of the &lt;br/&gt;3 the &lt;em&gt;actual sound&lt;/em&gt; of a 7 week old kitten playing an electric organ, does it &lt;br/&gt;get any better than this?! &lt;br/&gt;click to hear: &lt;a href="http://www.mediafire.com/?ttjnyjmz1nm" title="download"&gt;download&lt;/a&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img border="0" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/organ5.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/newones1.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;JOHNNY JAPES &amp;amp; HIS JESTICLES&amp;#160;: Bags Of Fun With Buster&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I have been looking for this single for &lt;em&gt;ages!&lt;/em&gt; Not that it&amp;#8217;s all that good &lt;br/&gt;it is just one of the few missing pieces in my XTC collection. &lt;br/&gt;Written &amp;amp; produced by mainman Andy Partridge &amp;amp; featuring Dave Gregory &lt;br/&gt;as well as special guest John Otway, this is a suitably balls out song which &lt;br/&gt;was only available through the comic in 1987. The B side even has a &lt;br/&gt;Scrotal Scratch remix!&lt;br/&gt;Viz Records ~ 1987&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;img height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/ST.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;GENE RODDENBURY&amp;#160;: Inside Star Trek&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Amongst the pick of the vinyl haul over the weekend was this Star Trek &lt;br/&gt;album I never knew even existed but it has great spoken word chatter &lt;br/&gt;with the stars of the original series as well as excellent FX. &lt;br/&gt;There is a single listed in Record Collector book by Gene Roddenberry &lt;br/&gt;the creator of ST but not this album, which is strange. &lt;br/&gt;CBS Records ~ 1976&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img height="684" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI22052010_00003.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;I also picked up this original Dr. Who album for £1 which I already have &lt;br/&gt;but couldn&amp;#8217;t resist it at that price. Tom Baker is a great Doctor for sure &lt;br/&gt;but my all time favourite is Jon Pertwee, I guess it&amp;#8217;s a case of whoever &lt;br/&gt;was The Doctor when you were 10 years old who is the best.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/P1010813.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img border="0" src="http://i293.photobucket.com/albums/mm50/shanequentin3/dandy1.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;Picked up a dozen old books and annuals at a car boot over the &lt;br/&gt;weekend. I was just in the right place at the right time, the old dear &lt;br/&gt;had them all piled into the boot of her car and had a card sign saying &lt;br/&gt;20p each. Books are not my specialist subject but I couldn&amp;#8217;t resist the &lt;br/&gt;price and got 12 for £2 (yes, I even haggled!)&lt;br/&gt;There were some nice old Mickey mouse books from the 40&amp;#8217;s but the best&lt;br/&gt;of the bunch was this Dandy comic annual from 1944 in beautiful condition.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img border="0" height="782" src="http://i293.photobucket.com/albums/mm50/shanequentin3/dandy.jpg" width="574"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;Here are a couple of the others, both older than my mother! &lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img height="706" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI17052010_00001.jpg" width="480"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img height="798" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI17052010_00000.jpg" width="588"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img border="0" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI26042010_00003.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;VARIOUS&amp;#160;: Speedway&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Not all that rare but a quite unusual single released on Decca by &lt;br/&gt;The Rivals it sounds like those bloody awful football records where &lt;br/&gt;the whole team tries to sing and it all just falls very flat. It&amp;#8217;s the B side &lt;br/&gt;which is of more interest to me as it&amp;#8217;s a boogie-woogie piano stomper &lt;br/&gt;called &lt;em&gt;Hoskins Still Rides&lt;/em&gt; which has the sound of bikes revving over the top. &lt;br/&gt;The rear of the sleeve pictures the guilty singers/riders, I assume the &lt;br/&gt;Hoskins chap mentioned on the flip is the same guy pictured bottom right.&lt;br/&gt;Decca Records ~ 1974&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img border="0" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI26042010_00004.jpg" width="500"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="img380.jpg picture by shanequentin3" class="media" height="500" id="fullSizedImage" src="http://i293.photobucket.com/albums/mm50/shanequentin3/img380.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;DON E. SIBLEY&amp;#160;: Punk Bashing Boogie&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Discovered in the same charity shop as The Greedies single, &lt;br/&gt;this is a fantastic and very catchy Rockabilly tune. There is &lt;br/&gt;little doubt this was exactly the sort of thing John Peel would &lt;br/&gt;have loved playing on his show. &lt;br/&gt;Hot Rock Records ~ 1979&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="img379.jpg picture by shanequentin3" class="media" height="500" id="fullSizedImage" src="http://i293.photobucket.com/albums/mm50/shanequentin3/img379.jpg" width="500"/&gt;&lt;br/&gt;&lt;strong&gt;MONTY PYTHON&amp;#160;: Eric The Half A Bee&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I picked this up earlier this year and it&amp;#8217;s a proud addition to my Python&lt;br/&gt;vinyl collection. It&amp;#8217;s the same track and the same label on both sides,&lt;br/&gt;but note mis-spelling of Neil Innes name! &lt;br/&gt;Charisma Records ~ 1972&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="img359.jpg picture by shanequentin3" class="media" height="500" id="fullSizedImage" src="http://i293.photobucket.com/albums/mm50/shanequentin3/img359.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;LES BABY SISTERS&amp;#160;: Hey! Baby&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;I actually got this a couple of weeks ago but what a great picture sleeve. &lt;br/&gt;The disc itself is a bit worse for wear but still sounds pretty cool and I paid &lt;br/&gt;£1.50 for it, I simply LOVE that look! &lt;br/&gt;Panorama Records 60&amp;#8217;s&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="img357.jpg picture by shanequentin3" class="media" height="500" id="fullSizedImage" src="http://i293.photobucket.com/albums/mm50/shanequentin3/img357.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;NEW AGE STEPPERS&amp;#160;: Fade Away&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I have an album by New Age Steppers and a lot of On-U-Sound 10&amp;#8221; + 12&amp;#8221; &lt;br/&gt;vinyl but this is the first 7&amp;#8221; I have seen in all my years of collecting.&lt;br/&gt;Turns out to be catalogue # ON-U-Sound 1 - a small shame about the light &lt;br/&gt;tear on front though but I ain&amp;#8217;t complaining too loud, it was released in 1980.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="img344.jpg picture by shanequentin3" class="media" height="500" id="fullSizedImage" src="http://i293.photobucket.com/albums/mm50/shanequentin3/img344.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;A cheesey 6 track 60&amp;#8217;s EP of cover versions ~ Avenue Records 1969&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;&lt;img alt="img345.jpg picture by shanequentin3" class="media" height="500" id="fullSizedImage" src="http://i293.photobucket.com/albums/mm50/shanequentin3/img345.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;Another 7&amp;#8221; EP of covers this time from 1967 and on Disc-A-Fran Records&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;&lt;img alt="img346.jpg picture by shanequentin3" class="media" height="500" id="fullSizedImage" src="http://i293.photobucket.com/albums/mm50/shanequentin3/img346.jpg" width="500"/&gt;&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;First single by The Notsensibles titled &lt;em&gt;&amp;#8216;I&amp;#8217;m In Love With Margaret Thatcher&amp;#8217;&lt;/em&gt;&lt;br/&gt;unfortunately without it&amp;#8217;s original picture sleeve, and found in a very tatty &lt;br/&gt;paper sleeve, other side pictured below. I have also just found out a friend has&lt;br/&gt;the original picture sleeve, but he won&amp;#8217;t part with it as it belonged to his dad!&lt;br/&gt;Snotty Snail Records ~ 1979&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;&lt;img alt="img347.jpg picture by shanequentin3" class="media" height="500" id="fullSizedImage" src="http://i293.photobucket.com/albums/mm50/shanequentin3/img347.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="img349.jpg picture by shanequentin3" class="media" height="500" id="fullSizedImage" src="http://i293.photobucket.com/albums/mm50/shanequentin3/img349.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;STOKE CITY F.C SUPPORTERS&amp;#160;: We&amp;#8217;ll Be With You&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;I picked up a whole load of football related singles off a bloke &lt;br/&gt;who only wanted 20p each and this rare single by The Potters &lt;br/&gt;aka the Stoke City Supporters was among them.&lt;br/&gt;Guess thats Trent/Hatch the composers of the TV show &lt;em&gt;Crossroads&lt;/em&gt;&lt;br/&gt;theme as writers too but I think the label Trent could be because of&lt;br/&gt;the river Trent nearby, just a guess though.&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;</description><link>http://tgoed.tumblr.com/post/2552749841</link><guid>http://tgoed.tumblr.com/post/2552749841</guid><pubDate>Sat, 01 Jan 2011 06:00:00 -0500</pubDate></item><item><link>http://tgoed.tumblr.com/post/2552676289</link><guid>http://tgoed.tumblr.com/post/2552676289</guid><pubDate>Sat, 01 Jan 2011 05:46:32 -0500</pubDate></item><item><title>Winter 2009</title><description>&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI04092010_00002.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;Godiego&amp;#160;: Monkey Magic - TV Theme EP : BBC 1980&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;This is a nice 3 track Maxi Single I had not seen before by &lt;a href="http://www.msplinks.com/MDFodHRwOi8vZW4ud2lraXBlZGlhLm9yZy93aWtpL0dvZGllZ28=" target="_blank"&gt;&lt;strong&gt;Godiego&lt;/strong&gt;&lt;/a&gt; &lt;br/&gt;a Japanese band who also composed several other film and TV soundtracks. &lt;br/&gt;Monkey was a cult show broadcast in the late 70&amp;#8217;s and early 80&amp;#8217;s and was &lt;br/&gt;based on a 16th century Chinese novel.&lt;br/&gt;This single is pretty scarce now and I&amp;#8217;d imagine the &lt;a href="http://www.msplinks.com/MDFodHRwOi8vd3d3Lm1vbmtleWhlYXZlbi5jb20v" target="_blank"&gt;&lt;strong&gt;Monkey Fan Site&lt;/strong&gt;&lt;/a&gt; &lt;br/&gt;would appreciate a decent scan of this sleeve as theirs looks pretty ropey! &lt;br/&gt;The 3 tracks on the single are &lt;em&gt;Monkey magic&lt;/em&gt;, &lt;em&gt;Gandhara&lt;/em&gt; and &lt;em&gt;Thank You Baby&lt;/em&gt;, &lt;br/&gt;all of which you can find downloads to on the Monkey Magic site link above.&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI04092010_00000.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;Portsmouth &amp;amp; Southampton Players : Pompey - City With A Heart  &lt;br/&gt;Solent Records 1960&amp;#8217;s&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;I was pleased to come across this addition to my football records collection &lt;br/&gt;on Saturday, I found it in a box of Frank Ifield singles! I have done a bit of &lt;br/&gt;research on it, not a lot as I am not &lt;em&gt;that&lt;/em&gt; sad, and I couldn&amp;#8217;t find anything &lt;br/&gt;online regarding its actual release date but judging by the shorts on the players &lt;br/&gt;I would say it&amp;#8217;s late 60&amp;#8217;s. The rear of the sleeve claims the record was sponsored &lt;br/&gt;by Whitbread Breweries, and I guess teams were a little more tolerant of each &lt;br/&gt;other (or a bit pissed) if they were prepared to join forces as Portsmouth &lt;br/&gt;&amp;amp; Southampton do on this single.&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI04092010_00003.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;Morgan Pask : Overkill : Columbia 1985&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;How timely to come across a 7&amp;#8221; of the theme to the recently ended TV series &lt;br/&gt;The Bill. I never knew it was called &lt;em&gt;Overkill&lt;/em&gt; either, but rest easy as it isn&amp;#8217;t the&lt;br/&gt;same tune by Motorhead, it&amp;#8217;s not even the same version of the tune we all know.&lt;br/&gt;This one is much more synth heavy and sounds like Rick Wakeman on acid. &lt;br/&gt;I recognise the WPC on the sleeve but I have never seen that copper before &lt;br/&gt;in my life, honestly I swear yer honour!&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI28082010_00001.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;Various Artists : Compact Disc ~ Philips 1982&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;I picked this up quite by chance as it was cheap and I had never seen &lt;br/&gt;it before but upon further investigation it turned out to be pretty scarce.&lt;br/&gt;It&amp;#8217;s quite possibly one of the first of those (then) new fangled Compact Discs&lt;br/&gt;which were released out into the wild for the first time in this year.&lt;br/&gt;The bland tracklist aside I always thought that the first Dire Straits tune&lt;br/&gt;released on CD was Brothers In Arms but the tune here is from their earlier&lt;br/&gt;Communiqué album. The disc is mint and I am certainly not going to play it &lt;br/&gt;but eBaying it, now thats much more likely otherwise I would have to admit &lt;br/&gt;to actually owning a Dire Straits CD!&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI28082010_00002.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/P1010978.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;Space Sounds : National Geographic 1980&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;Todays vinyl find was a triple win, size, subject and format all on 1 fantastic disc! &lt;br/&gt;&lt;br/&gt;&lt;strong&gt;10&amp;#8221;&lt;/strong&gt; - check &lt;br/&gt;&lt;strong&gt;flexi-disc&lt;/strong&gt; - double check&lt;br/&gt;&lt;strong&gt;space related&lt;/strong&gt; - triple check and mate.&lt;br/&gt;&lt;br/&gt;I wasn&amp;#8217;t even aware of this records existence until today but it ticks all &lt;br/&gt;my collecting boxes. God knows what I would do if I ever found a 10&amp;#8221; &lt;br/&gt;sex instructions flexi-disc on coloured vinyl in a hologram sleeve, I wouldn&amp;#8217;t &lt;br/&gt;even be here, I would probably have orgasmed to death!&lt;br/&gt;This is a fine record too, which was originally part of a box set which included &lt;br/&gt;a star chart and a booklet, more info is available &lt;a href="http://www.msplinks.com/MDFodHRwOi8vbGFib2NhLmNvLnVrL2Jsb2cvMjAwOC8xMi9vdXItdW5pdmVyc2Uta2l0Lw==" target="_blank"&gt;&lt;strong&gt;here&lt;/strong&gt;&lt;/a&gt;. &lt;br/&gt;Incredible to think this disc is now 30 years old.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI04072010_00000.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI26062010_00000.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/CCI26062010_00004.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;John Mayer &amp;amp; Indo-Jazz Fusion : Theme One ~ National late 1960&amp;#8217;s&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;A pretty groovy sleeve advertising a now defunct petrol company for &lt;br/&gt;a single of sitar driven grooves by the John Mayer Group. Sounds like &lt;br/&gt;a cool idea but the reality is as disappointing as an England match. &lt;br/&gt;Despite being titled &lt;em&gt;Theme One&lt;/em&gt; it is sadly not the excellent tune which &lt;br/&gt;is perhaps more familiar by the George Martin Orchestra but a bland &lt;br/&gt;dirge stuck in neutral, still, it does have a nice sleeve!&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/love2.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;The Great Unknowns&amp;#160;: Mah-Na-Mah-Na ~ Major Minor 1969&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;This is the original version of the song most famously performed by &lt;br/&gt;The Muppets. I never realised there even was an original version until &lt;br/&gt;I found this today. It&amp;#8217;s as good as the one we all know and love but it&amp;#8217;s &lt;br/&gt;the B side which is the real oddity here.&lt;br/&gt;Penned by none other than Giorgio Moroder it&amp;#8217;s titled &lt;em&gt;Doo-Bee -Doo-Bee-Doo &lt;br/&gt;&lt;/em&gt;and is as dumb and catchy as you can imagine. It was once been featured in &lt;br/&gt;an episode of &lt;a href="http://www.msplinks.com/MDFodHRwOi8vd3d3LnR2LmNvbS90aGUtYmVubnktaGlsbC1zaG93L3Nob3ctMTAvZXBpc29kZS8zMjQzOTMvc3VtbWFyeS5odG1s" target="_blank"&gt;&lt;strong&gt;The Benny Hill Show&lt;/strong&gt;&lt;/a&gt; and may go someway to explain where &lt;br/&gt;Sting got his inspiration for &lt;em&gt;De Do Do Do, De Da Da Da&lt;/em&gt;!&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/love3.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;Leon Russell&amp;#160;: The Ballad Of Mad Dogs &amp;amp; Englishmen ~ A&amp;amp;M 1971&lt;br/&gt;&lt;/strong&gt;&lt;br/&gt;It was my dad who first got me into Leon Russell via his album &lt;em&gt;Carney &lt;br/&gt;&lt;/em&gt;and I still have a soft spot for his early 70&amp;#8217;s work. This single features &lt;br/&gt;Claudia Lennear on the B side singing &lt;em&gt;Let It Be&lt;/em&gt; and it comes in this picture &lt;br/&gt;sleeve I had not seen before.&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/love1-1.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;John Lennon / Yoko Ono&amp;#160;: Power To The People/Open Your Box ~ Apple 1971&lt;br/&gt;&lt;br/&gt;&lt;/strong&gt;I dig this single which has the front of the Apple lable on both sides of the disc &lt;br/&gt;as opposed to the usual half an Apple on most other releases on the label.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;/p&gt;
&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;&lt;img alt="image" height="500" src="http://i293.photobucket.com/albums/mm50/shanequentin3/love.jpg" width="500"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;Leonard Cohen&amp;#160;: Mc Cabe &amp;amp; Mrs Miller EP ~ CBS 1968&lt;br/&gt;&lt;/strong&gt; &lt;br/&gt;You can probably tell that these last 4 singles all came from the same box! &lt;br/&gt;Again this was a picture sleeve I had never seen before and features 3 tunes&lt;br/&gt;taken from the soundtrack to the Warren Beatty &amp;amp; Julie Christie movie. &lt;br/&gt;&lt;br/&gt;&lt;/p&gt;</description><link>http://tgoed.tumblr.com/post/2390579315</link><guid>http://tgoed.tumblr.com/post/2390579315</guid><pubDate>Mon, 20 Dec 2010 13:51:00 -0500</pubDate></item></channel></rss>
